Nian 3

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Pius Cheung

General Info

Year: 2016
Duration: c.
Difficulty: Advanced
Publisher: Title Publisher
Cost: $12.00


Movements

Instrumentation

Bass Drum

Program Notes

The word 念 (pronounced Nian) has multiple meanings depending on the context the word is used in or the prefix it follows. Examples of what it could mean are reminisce, meditation, meaning and sense. To me personally, the word connate a state of spiritual inner peace and awareness, while being in harmony with and connected to everything around us past, present and future. It is somewhat related to Buddhism philosophies of letting go of the idea of ‘self’ and that time is linear. Of course, this piece has a definite beginning and an end, but my idea was to try to capture the concept of circular time/structure, where there is no beginning nor end, only a state of ‘being.’
念3 (Nian3) is scored for solo bass drum. In Nian3, I wanted to experiment with expressing musical/artistic depth through a limited palette of instrumental colour. This piece compositionally/technically works on any drum. I just personally prefer the depth and resonance of a bass drum. Like Nian2, which shares the same rhythmic subject, Nian3 shows Asian musical influences on the surface, but the core of the music is quite deeply rooted in western musical structure. For instance, measure 19-57 is built on a 4 voice canon of the main rhythmic subject.
This piece is dedicated to the memory of my father-in-law Yasuo Daimo.

Review

Errata

Awards

Commercial Discography

Online Recordings

Recent Performances


Works for Percussion by this Composer

Concerto

Princess Chang Ping

Marimba Solo

Ballade for Eriko Daimo
Classical Sonata
Colors
Five Pieces
Nocturne in F Major
Nocturne in F Minor
Nocturne in G♭ Major
Sonata in C, Vitanata

Solo Percussion

Nian 2
Nian 3

Percussion Ensemble

Heaven and Earth
Tesla's Harmony

Additional Resources



References