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  • Percussion 1: [[Vibraphone]] & [[Tuned Gongs]] & [[Crotales]] (High Octave) & [[Temple Percussion 2: [[Glockenspiel]] & 4 [[Anvils]] & [[Congas]] & 4 [[Wood Blocks]] & [[Gui
    7 KB (1,075 words) - 04:04, 29 June 2023
  • First performed February 21, 2008, Evelyn Glennie, percussion, with the Pittsburgh Symphony Orchestra, Marin Alsop, conductor; Pittsburgh When asked to compose a percussion concerto, my only reaction was horror.
    8 KB (1,235 words) - 23:48, 17 January 2022
  • Part One: Forest Murmurs - for unpitched instruments. Part Two: The Anvil Chorus- introduces pitched instruments,beginning with the tubular chime.
    5 KB (742 words) - 13:20, 8 August 2018
  • [[Multiple Percussion]]<br> A percussion concerto in six movements, with five brief instrumental 'ghosts' interspers
    13 KB (2,164 words) - 04:25, 10 February 2019
  • ..., bell tree, wind chimes and a variety of non-pitched cymbals, shakers and unpitched gongs, with atmospheric use of maraca, rain stick and vibraslap, substituti for Frank Epstein and the New England Conservatory Percussion Ensemble<br>
    8 KB (1,275 words) - 15:21, 14 July 2018
  • Subtitle: Concerto for percussion and orchestra <br/> ====Percussion====
    5 KB (794 words) - 00:44, 28 December 2021
  • Battery Percussion: [[Snare Drums]] & [[Quads]] & Marching [[Bass Drums]] & [[Cymbals]]<br/> Pitched Percussion: [[Glockenspiel]] & [[Xylophone]] & [[Vibraphone]] & [[Marimba]] & [[Chimes
    4 KB (589 words) - 02:11, 29 April 2022
  • ...harmony itself was only one of several paths I could take. The quality of percussion is often more “sound” than “note,” and when you get rid of notes, o ...lizing an original setup consisting of any combination of the thousands of instruments that exist. Multiplied by four, things can get unwieldy quickly.
    6 KB (930 words) - 05:07, 11 April 2021
  • from pure tone to unpitched noise – all features found in one of her most frequently performed works, == Works for Percussion ==
    7 KB (1,116 words) - 15:49, 4 June 2023
  • ...n the episode. Using a full complement of pitched and unpitched percussion instruments, the piece teases elements of both James Bond and Simpsons themes throughou ...usical adventure with elements of mystery and danger. If ever there were a percussion ensemble piece to be used in a James Bond film, this would be it (the compo
    4 KB (609 words) - 00:09, 9 December 2022
  • Performer: Berkner High School Percussion Ensemble <br/> ...tures a large array of concert and marching drums and auxiliary percussion instruments. The piece is set up in such a way that the performers face inward towards
    3 KB (469 words) - 07:20, 27 October 2021
  • Auxiliary Percussion: [[Woodblock]] (High & Medium & Low) & [[Rain Stick]]s & [[Shekere]] & [[Cl Hall Percussion (4 sets): Drum (Large/Deep) & [[Suspended Cymbal]] & [[Wind Chimes]] & [[A
    2 KB (266 words) - 05:19, 10 January 2022
  • ...wer reading of the same music, finalis now on E-flat, and with non-pitched instruments added. There are sev­eral considerations that prompted me to include these ...is cunningly devised to engage the ear with shifting layers of pitched and unpitched sounds as they continually change perspectives in the most surprising and s
    6 KB (905 words) - 03:33, 14 June 2022
  • ...the rhythmic, sharply delineated second section. The unpitched percussion instruments gradually take over in the third section, and the piece closes with a duet CD: Pulse: Savanna for two percussion players (Pulse), 2004
    4 KB (544 words) - 03:14, 6 June 2018
  • ...the rhythmic, sharply delineated second section. The unpitched percussion instruments gradually take over in the third section, and the piece closes with a duet CD: Pulse: Savanna for two percussion players (Pulse), 2004
    3 KB (537 words) - 03:17, 6 June 2018
  • ...electric guitar (played by Percussion 1), vibraphone, crotales, unpitched percussion<br> == Works for Percussion by this Composer ==
    3 KB (435 words) - 16:26, 3 January 2019
  • [[Multiple Percussion]]: <br> ...instruments come from all members of the percussion family, but unpitched instruments are given a primary role.
    4 KB (621 words) - 11:18, 20 July 2018
  • written for: [[University of Oregon Percussion Ensemble]], [[Charles Dowd]], director; premiere: 19 May 1987, Eugene, Oreg ...& keyed percussion with celesta; is dedicated to the University of Oregon Percussion Ensemble, director Charles Dowd.
    3 KB (451 words) - 14:32, 16 June 2012
  • [[Multiple Percussion]]: [[Midi Percussion]] <br> Blow-up seems an appropriate name for a percussion work, suggestive of loud, aggressive drum music. The title also refers to a
    4 KB (590 words) - 17:47, 21 March 2013
  • Player I - IV: tuned metal pipes - F3, G3, Ab3, Bb3 (2 each), kick drum, unpitched metal (2), MIDI keyboard controller, laptop, volume pedal, amp or PA speake == Works for Percussion by this Composer ==
    3 KB (462 words) - 16:02, 3 January 2019

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