Difference between revisions of "Le livre des claviers"
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[[Philippe Manoury]] | [[Philippe Manoury]] | ||
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== General Info == | == General Info == | ||
− | '''Year''': | + | '''Year''': 1987<br /--> |
− | '''Duration''': c. <br /--> | + | '''Duration''': c. 7:00 <br /--> |
'''Difficulty''': (see [[Ratings]] for explanation)<br /--> | '''Difficulty''': (see [[Ratings]] for explanation)<br /--> | ||
− | '''Publisher''': [[ | + | '''Publisher''': [[Universal Music MGB Publications]]<br /--> |
'''Cost''': Score and Parts - $0.00 | Score Only - $0.00<br /--> | '''Cost''': Score and Parts - $0.00 | Score Only - $0.00<br /--> | ||
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== Instrumentation == | == Instrumentation == | ||
− | + | [[Vibraphone]]<Br> | |
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== Program Notes == | == Program Notes == | ||
− | + | The Vibraphone solo is the fourth movement of the cycle Le livre des | |
+ | claviers composed in 1988 for Les Percussions de Strasbourg. | ||
+ | I composed this piece in order to develop one of the unique defining | ||
+ | characteristics of this instrument: the ability to dampen individual pitches | ||
+ | independently. In this work the ending points of sounds are as important as | ||
+ | the beginnings. There is a polyphony of appearance and disappearance of | ||
+ | different sounds in which the performer has the choice to dampen sounds | ||
+ | using fingers or mallets. As such, the fingers (or mallets) are frequently | ||
+ | playing the role of filters in electronic music. Formally this piece is quite | ||
+ | elaborate and functions as a series of free transformation of a basic musical | ||
+ | structure, each one with varying degrees of different manipulations.<br> | ||
+ | Philippe Manoury<ref>http://www.philippemanoury.com/wp-content/uploads/2008/10/solo-vib-anglais.pdf</ref> | ||
=== Review === | === Review === | ||
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== Works for Percussion by this Composer == | == Works for Percussion by this Composer == | ||
− | {{ | + | {{Manoury, Philippe Works}}<br> |
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<br /> | <br /> | ||
− | [[Category: | + | |
+ | [[Category:Solo Works]] | ||
+ | [[Category:Mallets Works]] | ||
+ | [[Category:Vibraphone Works]] | ||
Latest revision as of 12:17, 8 August 2018
General Info
Year: 1987
Duration: c. 7:00
Difficulty: (see Ratings for explanation)
Publisher: Universal Music MGB Publications
Cost: Score and Parts - $0.00 | Score Only - $0.00
Movements
Instrumentation
Program Notes
The Vibraphone solo is the fourth movement of the cycle Le livre des
claviers composed in 1988 for Les Percussions de Strasbourg.
I composed this piece in order to develop one of the unique defining
characteristics of this instrument: the ability to dampen individual pitches
independently. In this work the ending points of sounds are as important as
the beginnings. There is a polyphony of appearance and disappearance of
different sounds in which the performer has the choice to dampen sounds
using fingers or mallets. As such, the fingers (or mallets) are frequently
playing the role of filters in electronic music. Formally this piece is quite
elaborate and functions as a series of free transformation of a basic musical
structure, each one with varying degrees of different manipulations.
Philippe Manoury[1]
Review
Errata
Awards
Commercial Discography
Online Recordings
Recent Performances
To submit a performance please join the TEK Percussion Database
Works for Percussion by this Composer
Last - Marimba, Bass Clarinet
Le livre des claviers – Vibraphone
Le Livre des Claviers: les Sixxens – Percussion Sextet
Neptune, op.21 – Percussion Trio; with Electronics
Additional Resources
References