Difference between revisions of "Hinchinbrook Riff"

Latest revision as of 03:50, 25 July 2023

General Info

Year: 2009
Duration: 00:08:00
Difficulty: Advamced
Publisher: Australian Music Center
Cost: $45.00

Instrumentation

Marimba & digital delay.

Program Notes

Originally written for guitar, the idea for the marimba version was suggested to Nigel Westlake by Rebecca Lagos, principal percussionist with the Sydney Symphony Orchestra. The piece consists of a string of "motives" or "riffs" that are digitally copied within the delay & made to repeat 600 milliseconds (about half a second) after they have been performed "live". The performer is required to interlock with the delay signal by adhering to a strict tempo indication (100 beats per minute), creating the riffs to interplay & trip over themselves, causing interesting rhythmic & melodic variants that surge & ebb in wave - like formations.

Review

Errata

Awards

Commercial Discography

Online Recordings

Recent Performances

Works for Percussion by this Composer

Fabian Theory - Multiple Percussion
Hinchinbrook Riff - Marimba
Kalabash - Percussion Quartet
Malachite Glass - Percussion Quartet & Bass Clarinet
Moving Air for Percussion Quartet & Tape- Percussion Quartet & Tape
Omphalo Centric Lecture - Marimba Quartet

Additional Resources

References

@@ Line 1: / Line 1: @@
-[[Firstname Lastname]]
+[[Nigel Westlake]]
-<!-- fill in the name of the file (it can be a .jpg or a .gif) as well as the composer's name in the fields above. You may delete this text once this is done.-->
 == General Info ==
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 '''Publisher''': [[Australian Music Center]]<br /-->
 '''Cost''': $45.00<br /-->
-==Movements==
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 == Instrumentation ==
+[[Marimba]] & digital delay.
-<!--for copying and pasting
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-Player II: <br>
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 == Program Notes ==
+Originally written for guitar, the idea for the [[marimba]] version was suggested to [[Nigel Westlake]] by Rebecca Lagos, principal percussionist with the Sydney Symphony Orchestra. The piece consists of a string of "motives" or "riffs" that are digitally copied within the delay & made to repeat 600 milliseconds (about half a second) after they have been performed "live". The performer is required to interlock with the delay signal by adhering to a strict tempo indication (100 beats per minute), creating the riffs to interplay & trip over themselves, causing interesting rhythmic & melodic variants that surge & ebb in wave - like formations.
 === Review ===
@@ Line 57: / Line 36: @@
 ==Recent Performances==
+<embedvideo service="youtube">https://www.youtube.com/watch?v=yvMNakHjMfI</embedvideo>
-{{performances}}
-<!-- Enter any recent performances, but leave the above template to encourage further submissions. You may delete this text once this is done. -->
 == Works for Percussion by this Composer ==
-{{Lastname, Firstname Works}}<br>
+{{Westlake, Nigel Works}}<br>
-<!-- Enter the composer's other works for percussion. You may delete this text once this is done.
-ie:   {{Becerra-Schmidt, Gustavo Works}}   -->
 == Additional Resources ==
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 <br />
-[[Category:Template]]
+[[Category: Solo Works]]
+[[Category: Mallets Works]]
+[[Category: Marimba Works]]
-<!-- Don't forget to add categories, literature, instruments, history, pedagogy, sticks, etc. Also delete the Template category. To see what categories are available, see:  http://www.tekpercussion.com/Special:Categories  -->
-<!-- Don't forget to add categories, such as overtures, symphonies, etc., and also add the grade of the work.  -->