Difference between revisions of "Duo Chopinesque"
(Created page with "{subst:worksTF}") |
|||
| (3 intermediate revisions by one other user not shown) | |||
| Line 1: | Line 1: | ||
| − | { | + | [[Image:changethistothecomposername.jpg|right|thumb|250px|Composer Name]] |
| + | [[Michael Hennagin]] | ||
| + | |||
| + | <!-- fill in the name of the file (it can be a .jpg or a .gif) as well as the composer's name in the fields above. You may delete this text once this is done.--> | ||
| + | |||
| + | |||
| + | == General Info == | ||
| + | |||
| + | '''Year''': 1985 <br /--> | ||
| + | '''Duration''': c.10:27<br /--> | ||
| + | '''Difficulty''': (see [[Ratings]] for explanation)<br /--> | ||
| + | '''Publisher''': [[Oklahoma University Percussion Press]]<br /--> | ||
| + | '''Cost''': Score and Parts - $60.00 | Score Only - $0.00<br /--> | ||
| + | |||
| + | ==Movements== | ||
| + | |||
| + | <!-- Enter the title and duration of individual movements. Make sure the movements are listed by number, and use a line break <nowiki>( <br /> )</nowiki> at the end of each line. If this is a single movement work, please delete the entire category. You may delete this text once this is done. --> | ||
| + | |||
| + | |||
| + | == Instrumentation == | ||
| + | Player I: <br> | ||
| + | Player II: <br> | ||
| + | Player III: <br> | ||
| + | Player IV: <br> | ||
| + | Player V: <br> | ||
| + | Player VI: <br> | ||
| + | Player VII: <br> | ||
| + | Player VIII: <br> | ||
| + | Player IX: <br> | ||
| + | Player X: <br> | ||
| + | |||
| + | |||
| + | <!--for copying and pasting | ||
| + | Player I: <br> | ||
| + | Player II: <br> | ||
| + | Player III: <br> | ||
| + | Player IV: <br> | ||
| + | Player V: <br> | ||
| + | Player VI: <br> | ||
| + | Player VII: <br> | ||
| + | Player VIII: <br> --> | ||
| + | |||
| + | == Program Notes == | ||
| + | Chopin's Prelude in E Minor provides the material upon which Hennagin composed a masterful work for a percussion ensemble of ten players. A complete battery of percussion instruments are used to create a powerful composition utilizing essentially traditional performance techniques. | ||
| + | |||
| + | <i>Composer info</i><br> | ||
| + | Composer of twentieth-century classical music Michael Hennagin was born in The Dalles, Oregon, on September 17, 1936. He studied at Los Angeles City College, at Philadelphia's Curtis Institute of Music, graduating with a bachelor's degree in 1963, and with Aaron Copland at Tanglewood. Hennagin also studied electronic music at Southern Illinois University in 1968. His teaching career began in public schools in the mid-1960s and continued at Kansas State Teachers College from 1966 to 1972. | ||
| + | |||
| + | He served as the University of Oklahoma's composer-in-residence and professor of music theory and composition from 1972 to 1991. His work included music for chorus, piano, chamber orchestra, and band. He composed in a variety of modern, rather than traditional, styles which places him in the company of other Oklahoma twentieth-century composers of "new music," including Ray Luke of Oklahoma City University and Samuel Magrill of the University of Central Oklahoma. Like them, he was rewarded by having his music performed publicly in Oklahoma and also in national venues. | ||
| + | |||
| + | Hennagin's compositions include the ballet The Barren Song (1968), the symphonic essay A Summer Overture (1963), the chamber piece Four Etudes for Clarinet Choir (1978), Dance Scene (1977), and Jubilee (1967), which remains a staple for college bands. Proud Music, a choral-orchestral work derived from a Walt Whitman poem, was composed in 1993 and performed that summer by the Oklahoma Summer Arts Institute. | ||
| + | |||
| + | Ten times from 1976 through 1992 the American Society of Composers, Authors, and Publishers accorded Hennagin its Annual Award recognizing the quality and performance record of original works by American composers. He was named Oklahoma Musician of the Year in 1975 and National Composer of the Year by the Music Teachers National Association in 1976. He also wrote scores for motion picture, television, and stage productions.<ref>http://www.oupercussionpress.com/</ref> | ||
| + | == Errata == | ||
| + | |||
| + | <!-- Enter errata...if there is none, enter this: {{none}} You may delete this text once this is done.--> | ||
| + | |||
| + | == Awards == | ||
| + | |||
| + | <!-- Enter any awards this composition may have won. If there are none, then delete the entire category. You may delete this text once this is done.--> | ||
| + | == Commercial Discography== | ||
| + | |||
| + | <!-- Enter any COMMERCIALLY available recordings or downloads...if there are none, enter this: {{none}} You may delete this text once this is done.--> | ||
| + | |||
| + | |||
| + | ==Recent Performances== | ||
| + | |||
| + | {{performances}} | ||
| + | |||
| + | <!-- Enter any recent performances, but leave the above template to encourage further submissions. You may delete this text once this is done. --> | ||
| + | |||
| + | |||
| + | == Works for Percussion by this Composer == | ||
| + | {{Hennagin, Michael Works}} | ||
| + | <br /> | ||
| + | |||
| + | |||
| + | <!-- Enter the composer's other works for percussion. You may delete this text once this is done. | ||
| + | ie: {{Becerra-Schmidt, Gustavo Works}} --> | ||
| + | |||
| + | == Additional Resources == | ||
| + | |||
| + | <!-- Enter any resources...if there are none, enter this: {{none}} You may delete this text once this is done --> | ||
| + | |||
| + | <br /--> | ||
| + | <br /--> | ||
| + | |||
| + | == References == | ||
| + | <references/> | ||
| + | <!-- Enter any resources...if there are none, enter this: {{none}} --> | ||
| + | |||
| + | <br /> | ||
| + | <br /> | ||
| + | |||
| + | [[Category: Percussion Ensemble Works]] | ||
| + | [[Category: Percussion 10 Works]] | ||
| + | |||
| + | |||
| + | |||
| + | <!-- Don't forget to add categories, literature, instruments, history, pedagogy, sticks, etc. Also delete the Template category. To see what categories are available, see: http://www.tekpercussion.com/Special:Categories --> | ||
| + | <!-- Don't forget to add categories, such as overtures, symphonies, etc., and also add the grade of the work. --> | ||
Latest revision as of 05:25, 7 January 2022
General Info
Year: 1985
Duration: c.10:27
Difficulty: (see Ratings for explanation)
Publisher: Oklahoma University Percussion Press
Cost: Score and Parts - $60.00 | Score Only - $0.00
Movements
Instrumentation
Player I:
Player II:
Player III:
Player IV:
Player V:
Player VI:
Player VII:
Player VIII:
Player IX:
Player X:
Program Notes
Chopin's Prelude in E Minor provides the material upon which Hennagin composed a masterful work for a percussion ensemble of ten players. A complete battery of percussion instruments are used to create a powerful composition utilizing essentially traditional performance techniques.
Composer info
Composer of twentieth-century classical music Michael Hennagin was born in The Dalles, Oregon, on September 17, 1936. He studied at Los Angeles City College, at Philadelphia's Curtis Institute of Music, graduating with a bachelor's degree in 1963, and with Aaron Copland at Tanglewood. Hennagin also studied electronic music at Southern Illinois University in 1968. His teaching career began in public schools in the mid-1960s and continued at Kansas State Teachers College from 1966 to 1972.
He served as the University of Oklahoma's composer-in-residence and professor of music theory and composition from 1972 to 1991. His work included music for chorus, piano, chamber orchestra, and band. He composed in a variety of modern, rather than traditional, styles which places him in the company of other Oklahoma twentieth-century composers of "new music," including Ray Luke of Oklahoma City University and Samuel Magrill of the University of Central Oklahoma. Like them, he was rewarded by having his music performed publicly in Oklahoma and also in national venues.
Hennagin's compositions include the ballet The Barren Song (1968), the symphonic essay A Summer Overture (1963), the chamber piece Four Etudes for Clarinet Choir (1978), Dance Scene (1977), and Jubilee (1967), which remains a staple for college bands. Proud Music, a choral-orchestral work derived from a Walt Whitman poem, was composed in 1993 and performed that summer by the Oklahoma Summer Arts Institute.
Ten times from 1976 through 1992 the American Society of Composers, Authors, and Publishers accorded Hennagin its Annual Award recognizing the quality and performance record of original works by American composers. He was named Oklahoma Musician of the Year in 1975 and National Composer of the Year by the Music Teachers National Association in 1976. He also wrote scores for motion picture, television, and stage productions.[1]
Errata
Awards
Commercial Discography
Recent Performances
To submit a performance please join the TEK Percussion Database
Works for Percussion by this Composer
Duo Chopinesque - Percussion Ensemble (10 Players)
The Phantom Dances - Percussion Ensemble (12 Players)
Additional Resources
References