Difference between revisions of "Beethoven in Havana"
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<!-- fill in the name of the file (it can be a .jpg or a .gif) as well as the composer's name in the fields above. You may delete this text once this is done.--> | <!-- fill in the name of the file (it can be a .jpg or a .gif) as well as the composer's name in the fields above. You may delete this text once this is done.--> | ||
== General Info == | == General Info == | ||
− | + | '''Composer''': [[Joachim Horsley]]<Br> | |
+ | '''Arranger''': [[Brian Flack]]<br/> | ||
'''Year''': 2018<br /--> | '''Year''': 2018<br /--> | ||
'''Duration''': c. 4:30 <br /--> | '''Duration''': c. 4:30 <br /--> | ||
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Player 13: [[Suspended Cymbal]] & [[Bongos]] & [[Maracas]] <br/> | Player 13: [[Suspended Cymbal]] & [[Bongos]] & [[Maracas]] <br/> | ||
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== Program Notes == | == Program Notes == | ||
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[[Category:Percussion Ensemble Works]] | [[Category:Percussion Ensemble Works]] | ||
[[Category:Percussion 13 Works]] | [[Category:Percussion 13 Works]] | ||
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[[Category:Transcription Works]] | [[Category:Transcription Works]] |
Latest revision as of 00:03, 20 June 2023
General Info
Composer: Joachim Horsley
Arranger: Brian Flack
Year: 2018
Duration: c. 4:30
Difficulty: Advanced(see Ratings for explanation)
Publisher: Tapspace Publications
Cost: Score and Parts - $50.00 | Score Only - $26.00
Movements
Instrumentation
Player 1: Glockenspiel
Player 2: Xylophone
Player 3: Vibraphone 1 & Suspended Cymbal
Player 4: Vibraphone 2
Player 5: Marimba 1
Player 6: Marimba 2
Player 7: Marimba 3
Player 8: Timpani
Player 9: Cajón
Player 10: Suspended Cymbal & Claves & Castanets
Player 11: Djembe & Mark Tree & Cabasa & Guiro
Player 12: Congas & Cowbell & Ribbon Crasher
Player 13: Suspended Cymbal & Bongos & Maracas
Program Notes
At the first performance of Beethoven’s immortal 7th Symphony, the audience demanded an encore of the second movement immediately following its premiere. It’s no surprise that it is still venerated today and performed all over the world. Brian Flack’s adaptation of Joachim Horsley’s brilliant afro-Cuban piano arrangement, is proof that Beethoven’s music is so powerful, everlasting, and structurally sound, it can cross cultural and musical boundaries and be enjoyed by everyone. Adhering to the overall form of Horsley’s original arrangement, Flack has done an amazing job of orchestrating the various piano parts to mallet instruments as well as the non-traditional percussive sounds to more traditionally Latin percussion instruments.
Review
Errata
Awards
Commercial Discography
Online Recordings
Recent Performances
To submit a performance please join the TEK Percussion Database
Works for Percussion by this Composer
Beethoven in Havana - Percussion Ensemble
Additional Resources
References