Difference between revisions of "Beethoven in Havana"

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[[Firstname Lastname]]
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<!-- fill in the name of the file (it can be a .jpg or a .gif) as well as the composer's name in the fields above. You may delete this text once this is done.-->
 
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== General Info ==
 
== General Info ==
 
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'''Composer''': [[Joachim Horsley]]<Br>
'''Year''': 20<br /-->
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'''Arranger''': [[Brian Flack]]<br/>
'''Duration''':  c. <br /-->
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'''Year''': 2018<br /-->
'''Difficulty''':  (see [[Ratings]] for explanation)<br /-->
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'''Duration''':  c. 4:30 <br /-->
'''Publisher''': [[Title Publisher]]<br /-->
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'''Difficulty''':  Advanced(see [[Ratings]] for explanation)<br /-->
'''Cost''': Score and Parts - $0.00  &nbsp;&nbsp;|&nbsp;&nbsp; Score Only - $0.00<br /-->
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'''Publisher''': [[Tapspace Publications]]<br /-->
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'''Cost''': Score and Parts - $50.00  &nbsp;&nbsp;|&nbsp;&nbsp; Score Only - $26.00<br /-->
  
  
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== Instrumentation ==
 
== Instrumentation ==
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Player 1: [[Glockenspiel]]<br/>
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Player 2: [[Xylophone]]<br/>
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Player 3: [[Vibraphone]] 1 & [[Suspended Cymbal]]<br/>
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Player 4: [[Vibraphone]] 2<br/>
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Player 5: [[Marimba]] 1<br/>
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Player 6: [[Marimba]] 2<br/>
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Player 7: [[Marimba]] 3<br/>
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Player 8: [[Timpani]]<br/>
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Player 9: [[Cajón]]<br/>
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Player 10: [[Suspended Cymbal]] & [[Claves]] & [[Castanets]] <br/>
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Player 11: [[Djembe]] & [[Mark Tree]] & [[Cabasa]] & [[Guiro]] <br/>
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Player 12: [[Congas]] & [[Cowbell]] & [[Ribbon Crasher]] <br/>
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Player 13: [[Suspended Cymbal]] & [[Bongos]] &  [[Maracas]] <br/>
  
 
 
 
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Player I: <br>
 
Player II: <br>
 
Player III: <br>
 
Player IV: <br>
 
Player V: <br>
 
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Player VII: <br>
 
Player VIII: <br>    -->
 
  
 
== Program Notes ==
 
== Program Notes ==
 
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At the first performance of Beethoven’s immortal 7th Symphony, the audience demanded an encore of the second movement immediately following its premiere. It’s no surprise that it is still venerated today and performed all over the world. Brian Flack’s adaptation of Joachim Horsley’s brilliant afro-Cuban piano arrangement, is proof that Beethoven’s music is so powerful, everlasting, and structurally sound, it can cross cultural and musical boundaries and be enjoyed by everyone. Adhering to the overall form of Horsley’s original arrangement, Flack has done an amazing job of orchestrating the various piano parts to mallet instruments as well as  the non-traditional percussive sounds to more traditionally Latin percussion instruments.
  
 
=== Review ===
 
=== Review ===
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===Online Recordings===
 
===Online Recordings===
 
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<embedvideo service="youtube"> https://www.youtube.com/watch?v=pIHih9jl6oo </embedvideo>
 
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== Works for Percussion by this Composer ==
 
== Works for Percussion by this Composer ==
{{Lastname, Firstname Works}}<br>
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{{Horsley, Joachim Works}}<br>
  
  
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<br />
 
<br />
  
[[Category:Template]]
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[[Category:Percussion Ensemble Works]]
 
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[[Category:Percussion 13 Works]]
 
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[[Category:Transcription Works]]
 
 
 
 
<!-- Don't forget to add categories, literature, instruments, history, pedagogy, sticks, etc. Also delete the Template category. To see what categories are available, see:  http://www.tekpercussion.com/Special:Categories  -->
 
<!-- Don't forget to add categories, such as overtures, symphonies, etc., and also add the grade of the work.  -->
 
 
 
 
 
 
 
==General Info==
 
Year of Published: 2018 <br/>
 
Composer: Joachim Horsley<br/>
 
Arranger: [[Brian Flack]]<br/>
 
Publisher: [[Tapspace Publications]]<br/>
 
Level: Advanced<br/>
 
Duration: 00:04:30<br/>
 
Cost: $48.00<br/>
 
 
 
==Instrumentation==
 
Player 1: [[Glockenspiel]]<br/>
 
Player 2: [[Xylophone]]<br/>
 
Player 3: [[Vibraphone]] 1 & [[Suspended Cymbal]]<br/>
 
Player 4: [[Vibraphone]] 2<br/>
 
Player 5: [[Marimba]] 1<br/>
 
Player 6: [[Marimba]] 2<br/>
 
Player 7: [[Marimba]] 3<br/>
 
Player 8: [[Timpani]]<br/>
 
Player 9: [[Cajón]]<br/>
 
Player 10: [[Suspended Cymbal]] & [[Claves]] & [[Castanets]] <br/>
 
Player 11: [[Djembe]] & [[Mark Tree]] & [[Cabasa]] & [[Guiro]] <br/>
 
Player 12: [[Congas]] & [[Cowbell]] & [[Ribbon Crasher]] <br/>
 
Player 13: [[Suspended Cymbal]] & [[Bongos]] &  [[Maracas]] <br/>
 
 
 
==Description==
 
At the first performance of Beethoven’s immortal 7th Symphony, the audience demanded an encore of the second movement immediately following its premiere. It’s no surprise that it is still venerated today and performed all over the world. Brian Flack’s adaptation of Joachim Horsley’s brilliant afro-Cuban piano arrangement, is proof that Beethoven’s music is so powerful, everlasting, and structurally sound, it can cross cultural and musical boundaries and be enjoyed by everyone. Adhering to the overall form of Horsley’s original arrangement, Flack has done an amazing job of orchestrating the various piano parts to mallet instruments as well as  the non-traditional percussive sounds to more traditionally Latin percussion instruments.
 
 
 
==Recent Performance==
 
<embedvideo service="youtube"> https://www.youtube.com/watch?v=pIHih9jl6oo </embedvideo>
 
 
 
==Reference==
 
 
 
[[Category: Percussion Ensemble Works]]
 
[[Category: Percussion 13 Works]]
 
[[Category: Transcription Works]]
 

Latest revision as of 00:03, 20 June 2023


General Info

Composer: Joachim Horsley
Arranger: Brian Flack
Year: 2018
Duration: c. 4:30
Difficulty: Advanced(see Ratings for explanation)
Publisher: Tapspace Publications
Cost: Score and Parts - $50.00   |   Score Only - $26.00


Movements

Instrumentation

Player 1: Glockenspiel
Player 2: Xylophone
Player 3: Vibraphone 1 & Suspended Cymbal
Player 4: Vibraphone 2
Player 5: Marimba 1
Player 6: Marimba 2
Player 7: Marimba 3
Player 8: Timpani
Player 9: Cajón
Player 10: Suspended Cymbal & Claves & Castanets
Player 11: Djembe & Mark Tree & Cabasa & Guiro
Player 12: Congas & Cowbell & Ribbon Crasher
Player 13: Suspended Cymbal & Bongos & Maracas


Program Notes

At the first performance of Beethoven’s immortal 7th Symphony, the audience demanded an encore of the second movement immediately following its premiere. It’s no surprise that it is still venerated today and performed all over the world. Brian Flack’s adaptation of Joachim Horsley’s brilliant afro-Cuban piano arrangement, is proof that Beethoven’s music is so powerful, everlasting, and structurally sound, it can cross cultural and musical boundaries and be enjoyed by everyone. Adhering to the overall form of Horsley’s original arrangement, Flack has done an amazing job of orchestrating the various piano parts to mallet instruments as well as the non-traditional percussive sounds to more traditionally Latin percussion instruments.

Review

Errata

Awards

Commercial Discography

Online Recordings


Recent Performances

To submit a performance please join the TEK Percussion Database


Works for Percussion by this Composer

Beethoven in Havana - Percussion Ensemble



Additional Resources



References