Difference between revisions of "Beethoven in Havana"
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| + | <!-- fill in the name of the file (it can be a .jpg or a .gif) as well as the composer's name in the fields above. You may delete this text once this is done.--> | ||
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| + | == General Info == | ||
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| + | '''Year''': 20<br /--> | ||
| + | '''Duration''': c. <br /--> | ||
| + | '''Difficulty''': (see [[Ratings]] for explanation)<br /--> | ||
| + | '''Publisher''': [[Title Publisher]]<br /--> | ||
| + | '''Cost''': Score and Parts - $0.00 | Score Only - $0.00<br /--> | ||
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| + | ==Movements== | ||
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| + | <!-- Enter the title and duration of individual movements. Make sure the movements are listed by number, and use a line break <nowiki>( <br /> )</nowiki> at the end of each line. If this is a single movement work, please delete the entire category. You may delete this text once this is done. --> | ||
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| + | == Instrumentation == | ||
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| + | Player I: <br> | ||
| + | Player II: <br> | ||
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| + | == Program Notes == | ||
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| + | === Review === | ||
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| + | == Errata == | ||
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| + | <!-- Enter errata...if there is none, enter this: {{none}} You may delete this text once this is done.--> | ||
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| + | == Awards == | ||
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| + | <!-- Enter any awards this composition may have won. If there are none, then delete the entire category. You may delete this text once this is done.--> | ||
| + | == Commercial Discography== | ||
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| + | ===Online Recordings=== | ||
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| + | {{#multimediaitem:SoundCloud|16040214|SoundCloud test}} --> | ||
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| + | <!-- Enter any COMMERCIALLY available recordings or downloads...if there are none, enter this: {{none}} You may delete this text once this is done.--> | ||
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| + | ==Recent Performances== | ||
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| + | {{performances}} | ||
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| + | <!-- Enter any recent performances, but leave the above template to encourage further submissions. You may delete this text once this is done. --> | ||
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| + | == Works for Percussion by this Composer == | ||
| + | {{Lastname, Firstname Works}}<br> | ||
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| + | <!-- Enter the composer's other works for percussion. You may delete this text once this is done. | ||
| + | ie: {{Becerra-Schmidt, Gustavo Works}} --> | ||
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| + | == Additional Resources == | ||
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| + | <!-- Enter any resources...if there are none, enter this: {{none}} You may delete this text once this is done --> | ||
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| + | == References == | ||
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| + | [[Category:Template]] | ||
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| + | <!-- Don't forget to add categories, literature, instruments, history, pedagogy, sticks, etc. Also delete the Template category. To see what categories are available, see: http://www.tekpercussion.com/Special:Categories --> | ||
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==General Info== | ==General Info== | ||
Year of Published: 2018 <br/> | Year of Published: 2018 <br/> | ||
Revision as of 04:05, 30 May 2023
General Info
Year: 20
Duration: c.
Difficulty: (see Ratings for explanation)
Publisher: Title Publisher
Cost: Score and Parts - $0.00 | Score Only - $0.00
Movements
Instrumentation
Program Notes
Review
Errata
Awards
Commercial Discography
Online Recordings
Recent Performances
To submit a performance please join the TEK Percussion Database
Works for Percussion by this Composer
Template:Lastname, Firstname Works
Additional Resources
References
General Info
Year of Published: 2018
Composer: Joachim Horsley
Arranger: Brian Flack
Publisher: Tapspace Publications
Level: Advanced
Duration: 00:04:30
Cost: $48.00
Instrumentation
Player 1: Glockenspiel
Player 2: Xylophone
Player 3: Vibraphone 1 & Suspended Cymbal
Player 4: Vibraphone 2
Player 5: Marimba 1
Player 6: Marimba 2
Player 7: Marimba 3
Player 8: Timpani
Player 9: Cajón
Player 10: Suspended Cymbal & Claves & Castanets
Player 11: Djembe & Mark Tree & Cabasa & Guiro
Player 12: Congas & Cowbell & Ribbon Crasher
Player 13: Suspended Cymbal & Bongos & Maracas
Description
At the first performance of Beethoven’s immortal 7th Symphony, the audience demanded an encore of the second movement immediately following its premiere. It’s no surprise that it is still venerated today and performed all over the world. Brian Flack’s adaptation of Joachim Horsley’s brilliant afro-Cuban piano arrangement, is proof that Beethoven’s music is so powerful, everlasting, and structurally sound, it can cross cultural and musical boundaries and be enjoyed by everyone. Adhering to the overall form of Horsley’s original arrangement, Flack has done an amazing job of orchestrating the various piano parts to mallet instruments as well as the non-traditional percussive sounds to more traditionally Latin percussion instruments.