Difference between revisions of "1-21"

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==General Info==
 
==General Info==
 
Year: 2019<br/>
 
Year: 2019<br/>
Duration: 3'20"
+
Duration: 3'20"<br/>
 
Publisher: [[C. Alan Publications]]<br/>
 
Publisher: [[C. Alan Publications]]<br/>
 
Difficulty: Intermediate<br/>
 
Difficulty: Intermediate<br/>
 
Cost: £24.00<br/>
 
Cost: £24.00<br/>
 +
Language: English<br/>
 +
Page: 6 (Score); 3 (Each Part)
  
 
==Description==
 
==Description==
 
1-21 was inspired by the rhythm, music, and energy of the Women’s March. While attending the Women’s March in Chicago, I found myself surrounded by chanting, music, and excitement. There was a sense of community and a common goal of unit and equality. As a percussionist and dancer, I was drawn to samba music off in the distance. That day, I marched and danced my way through the streets of Chicago.<br/>
 
1-21 was inspired by the rhythm, music, and energy of the Women’s March. While attending the Women’s March in Chicago, I found myself surrounded by chanting, music, and excitement. There was a sense of community and a common goal of unit and equality. As a percussionist and dancer, I was drawn to samba music off in the distance. That day, I marched and danced my way through the streets of Chicago.<br/>
 
When I sat down to compose the following day, the rhythms of samba and the various chants were playing in my head. The result was a composition that melded the of sounds from the previous day. Like the march, the solo sections of the piece give students a chance to voice their own ideas while simultaneously feeding off each other’s musical energy. The title is a reminder of the wonderful sense of community and the sounds and energy of the city that I experienced on that date.<br/>
 
When I sat down to compose the following day, the rhythms of samba and the various chants were playing in my head. The result was a composition that melded the of sounds from the previous day. Like the march, the solo sections of the piece give students a chance to voice their own ideas while simultaneously feeding off each other’s musical energy. The title is a reminder of the wonderful sense of community and the sounds and energy of the city that I experienced on that date.<br/>
 +
==Movement==
 +
Single Movement
  
 
==Instrumentation==
 
==Instrumentation==
Player 1: [[Vibraphone]]; [[Tom Tom]]s<br/>
+
Player 1: [[Vibraphone]]; [[Tom Tom]]<br/>
Player 2: [[Marimba]]; [[Tom Tom]]s<br/>
+
Player 2: [[Marimba]]; [[Tom Tom]]<br/>
Player 3: [[Marimba]]; [[Tom Tom]]s<br/>
+
Player 3: [[Marimba]]; [[Tom Tom]]<br/>
Player 4: [[Marimba]]; [[Tom Tom]]s<br/>
+
Player 4: [[Marimba]]; [[Tom Tom]]<br/>
 
* Toms should be graduated in pitch with Player 1 having the highest drum.
 
* Toms should be graduated in pitch with Player 1 having the highest drum.
 +
 
==Errata==
 
==Errata==
 
==Awards==
 
==Awards==
 
==Commercial Discography==
 
==Commercial Discography==
 
==Recent Performance==
 
==Recent Performance==
[https://youtu.be/xbHivXSHdBU Kepley Studio Percussion Ensemble's Performance]
+
<embedvideo service="youtube"> https://youtu.be/xbHivXSHdBU </embedvideo>
 +
 
 
==Works for Percussion by this Composer==
 
==Works for Percussion by this Composer==
{{Angela Kepley Works}}
+
{{Kepley, Angela Works}}
 +
 
 
==References==
 
==References==
 
[[Category: Percussion Ensemble Works]]
 
[[Category: Percussion Ensemble Works]]
 
[[Category: Percussion Quartet Works]]
 
[[Category: Percussion Quartet Works]]

Latest revision as of 04:45, 12 September 2022

Angela Kepley

General Info

Year: 2019
Duration: 3'20"
Publisher: C. Alan Publications
Difficulty: Intermediate
Cost: £24.00
Language: English
Page: 6 (Score); 3 (Each Part)

Description

1-21 was inspired by the rhythm, music, and energy of the Women’s March. While attending the Women’s March in Chicago, I found myself surrounded by chanting, music, and excitement. There was a sense of community and a common goal of unit and equality. As a percussionist and dancer, I was drawn to samba music off in the distance. That day, I marched and danced my way through the streets of Chicago.
When I sat down to compose the following day, the rhythms of samba and the various chants were playing in my head. The result was a composition that melded the of sounds from the previous day. Like the march, the solo sections of the piece give students a chance to voice their own ideas while simultaneously feeding off each other’s musical energy. The title is a reminder of the wonderful sense of community and the sounds and energy of the city that I experienced on that date.

Movement

Single Movement

Instrumentation

Player 1: Vibraphone; Tom Tom
Player 2: Marimba; Tom Tom
Player 3: Marimba; Tom Tom
Player 4: Marimba; Tom Tom

  • Toms should be graduated in pitch with Player 1 having the highest drum.

Errata

Awards

Commercial Discography

Recent Performance

Works for Percussion by this Composer

1-21 - Percussion Quartet
And we meet again - Percussion Quintet
Battle Royale - Percussion Trio
Bon Voyage - Marimba Solo
Dynamic Duos for Drums
Dynamic Duos for Mallets
From the Inside Out - Percussion Quartet
Get Hyped! - Percussion Quartet
Matafnik - Percussion Trio
Quintessential Quintets - Percussion Quintet
Reflections (Kepley) - Marimba Solo
Syncoshift - Percussion Quartet

References