Difference between revisions of "1-21"
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==General Info== | ==General Info== | ||
Year: 2019<br/> | Year: 2019<br/> | ||
− | Duration: 3'20" | + | Duration: 3'20"<br/> |
Publisher: [[C. Alan Publications]]<br/> | Publisher: [[C. Alan Publications]]<br/> | ||
Difficulty: Intermediate<br/> | Difficulty: Intermediate<br/> | ||
Cost: £24.00<br/> | Cost: £24.00<br/> | ||
+ | Language: English<br/> | ||
+ | Page: 6 (Score); 3 (Each Part) | ||
==Description== | ==Description== | ||
1-21 was inspired by the rhythm, music, and energy of the Women’s March. While attending the Women’s March in Chicago, I found myself surrounded by chanting, music, and excitement. There was a sense of community and a common goal of unit and equality. As a percussionist and dancer, I was drawn to samba music off in the distance. That day, I marched and danced my way through the streets of Chicago.<br/> | 1-21 was inspired by the rhythm, music, and energy of the Women’s March. While attending the Women’s March in Chicago, I found myself surrounded by chanting, music, and excitement. There was a sense of community and a common goal of unit and equality. As a percussionist and dancer, I was drawn to samba music off in the distance. That day, I marched and danced my way through the streets of Chicago.<br/> | ||
When I sat down to compose the following day, the rhythms of samba and the various chants were playing in my head. The result was a composition that melded the of sounds from the previous day. Like the march, the solo sections of the piece give students a chance to voice their own ideas while simultaneously feeding off each other’s musical energy. The title is a reminder of the wonderful sense of community and the sounds and energy of the city that I experienced on that date.<br/> | When I sat down to compose the following day, the rhythms of samba and the various chants were playing in my head. The result was a composition that melded the of sounds from the previous day. Like the march, the solo sections of the piece give students a chance to voice their own ideas while simultaneously feeding off each other’s musical energy. The title is a reminder of the wonderful sense of community and the sounds and energy of the city that I experienced on that date.<br/> | ||
+ | ==Movement== | ||
+ | Single Movement | ||
==Instrumentation== | ==Instrumentation== | ||
− | Player 1: [[Vibraphone]]; [[Tom Tom]] | + | Player 1: [[Vibraphone]]; [[Tom Tom]]<br/> |
− | Player 2: [[Marimba]]; [[Tom Tom]] | + | Player 2: [[Marimba]]; [[Tom Tom]]<br/> |
− | Player 3: [[Marimba]]; [[Tom Tom]] | + | Player 3: [[Marimba]]; [[Tom Tom]]<br/> |
− | Player 4: [[Marimba]]; [[Tom Tom]] | + | Player 4: [[Marimba]]; [[Tom Tom]]<br/> |
* Toms should be graduated in pitch with Player 1 having the highest drum. | * Toms should be graduated in pitch with Player 1 having the highest drum. | ||
+ | |||
==Errata== | ==Errata== | ||
==Awards== | ==Awards== | ||
==Commercial Discography== | ==Commercial Discography== | ||
==Recent Performance== | ==Recent Performance== | ||
− | + | <embedvideo service="youtube"> https://youtu.be/xbHivXSHdBU </embedvideo> | |
+ | |||
==Works for Percussion by this Composer== | ==Works for Percussion by this Composer== | ||
− | {{Angela | + | {{Kepley, Angela Works}} |
+ | |||
==References== | ==References== | ||
[[Category: Percussion Ensemble Works]] | [[Category: Percussion Ensemble Works]] | ||
[[Category: Percussion Quartet Works]] | [[Category: Percussion Quartet Works]] |
Latest revision as of 04:45, 12 September 2022
General Info
Year: 2019
Duration: 3'20"
Publisher: C. Alan Publications
Difficulty: Intermediate
Cost: £24.00
Language: English
Page: 6 (Score); 3 (Each Part)
Description
1-21 was inspired by the rhythm, music, and energy of the Women’s March. While attending the Women’s March in Chicago, I found myself surrounded by chanting, music, and excitement. There was a sense of community and a common goal of unit and equality. As a percussionist and dancer, I was drawn to samba music off in the distance. That day, I marched and danced my way through the streets of Chicago.
When I sat down to compose the following day, the rhythms of samba and the various chants were playing in my head. The result was a composition that melded the of sounds from the previous day. Like the march, the solo sections of the piece give students a chance to voice their own ideas while simultaneously feeding off each other’s musical energy. The title is a reminder of the wonderful sense of community and the sounds and energy of the city that I experienced on that date.
Movement
Single Movement
Instrumentation
Player 1: Vibraphone; Tom Tom
Player 2: Marimba; Tom Tom
Player 3: Marimba; Tom Tom
Player 4: Marimba; Tom Tom
- Toms should be graduated in pitch with Player 1 having the highest drum.
Errata
Awards
Commercial Discography
Recent Performance
Works for Percussion by this Composer
1-21 - Percussion Quartet
And we meet again - Percussion Quintet
Battle Royale - Percussion Trio
Bon Voyage - Marimba Solo
Dynamic Duos for Drums
Dynamic Duos for Mallets
From the Inside Out - Percussion Quartet
Get Hyped! - Percussion Quartet
Matafnik - Percussion Trio
Quintessential Quintets - Percussion Quintet
Reflections (Kepley) - Marimba Solo
Syncoshift - Percussion Quartet