Difference between revisions of "Marimba Concerto (Phelps)"
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[[Ben Phelps]] | [[Ben Phelps]] | ||
== General Info == | == General Info == | ||
| − | '''Year | + | '''Year''': 2008<br /--> |
'''Publisher''': [[Title Publisher]]<br /--> | '''Publisher''': [[Title Publisher]]<br /--> | ||
'''Difficulty''': (see [[Ratings]] for explanation)<br /--> | '''Difficulty''': (see [[Ratings]] for explanation)<br /--> | ||
Latest revision as of 11:14, 5 January 2026
General Info
Year: 2008
Publisher: Title Publisher
Difficulty: (see Ratings for explanation)
Duration: 00:25:00
Cost: Score and Parts - $0.00 | Score Only - $0.00
Movements
Movement 1: Sonnet
Movement 2: Middle Movement
Movement 3: Burlesque
Movement 4: Epilogue
Instrumentation
Solo
Orchestra
Woodwinds: Piccolo + Alto Flute / Flute 1 + Alto Flute / Flute 2 + Bass Flute / Oboe (1 & 2) / Clarinet (1 & 2) / Bass Clarinet + Contrabass Clarinet / Alto Saxophone / Tenor Saxophone / Baritone Saxophone
Brass: 2 French Horn / Trumpet
Percussion: Timpani
Strings: Violin (1 & 2) / Viola / Cello / Double Bass / Harp (1 & 2)
Program Notes
For me, there is a narrative quality to the progression of movements. The first movement is highly formalized. There is a process, a slowly unfolding chord progression. Of course it is still a love theme. After this, the piece slowly loses its innocence. The Middle Movement builds to a terrible climax, only to be out done by the Epilogue, when the sonnet theme returns. The piece is about the marimba- the soloist carries the music, unlike many modern concertos wherein the soloist plays a virtuosic accompaniment to the mad orchestrations of the rest of the orchestra. I feel strongly about this. Not to say it isn't virtuosic.
Review
Errata
Awards
Commercial Discography
Online Recordings
Recent Performances
To submit a performance please join the TEK Percussion Database
Works for Percussion by this Composer
Additional Resources
References