Suite for Timpani (Mancini): Difference between revisions

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[[Image:changethistothecomposername.jpg|right|thumb|250px|Composer Name]]
[[David Mancini]]
[[David Mancini]]


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== General Info ==
== General Info ==


'''Year''': 19<br /-->
'''Year''': 1973<br /-->
'''Duration''':  c. <br /-->
'''Duration''':  c. 7:00<br /-->
'''Difficulty''':  (see [[Ratings]] for explanation)<br /-->
'''Difficulty''':  (see [[Ratings]] for explanation)<br /-->
'''Publisher''': Moeck<br /-->
'''Publisher''': [[Kendor]]<br /-->
'''Cost''': Score and Parts - $0.00 &nbsp;&nbsp;|&nbsp;&nbsp; Score Only - $0.00<br /-->
'''Cost''': Score and Parts - $0.00 &nbsp;&nbsp;|&nbsp;&nbsp; Score Only - $0.00<br /-->


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== Instrumentation ==
== Instrumentation ==
Player I: <br/>
[[Timpani]]<br>
Player II: <br/>
 
Player III: <br/>
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Player IV: <br/>
Player I: <br>  
Player II: <br>  
Player III: <br>  
Player IV: <br>
Player V: <br>
Player VI: <br>
Player VII: <br>
Player VIII: <br>    -->


== Program Notes ==
== Program Notes ==
premiere: Spring 1973, Eastman School of Music, New York, D. Mancini, soloist
=== Review ===
David Mancini's Suite for Timpani (ca. :4:30) is written not in the usual multi-movement format of the baroque suite but as one continuous - albeit sectionalized - movement. However, like the indMdual movements of the suite, each section of this through-composed piece does maintain an identity of its own. The sections include a brief introduction followed by a moderato 12/8 section using repeated melodic patterns set in constantly changing accent schemes; a short, unbarred interlude characterized by crescendo, decrescendo, and legato rolls; a brief'section using a left-hand ostinato accompanying a right-hand melody; and a concluding section featuring alternating and variable meters. Except for wide-interval glissandi, the limited pedaling requirements involve conjunct pitches only. This is material for the more advanced high school or college level timpanist. From a musical standpoint, some sections of this work seem a bit too brief considering the proportions of the piece as a whole. However, this solo will not disappoint those who delight in a physical challenge and find moving rapidly over all four drums an exhilarating experience.
Reviewed By:  John Raush


Review Originally Published:  Fall 1987<ref>http://www.pas.org/resources/research/research-compositions</ref>


== Errata ==
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== Awards ==
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== Commercial Discography==
== Commercial Discography==
===Online Recordings===
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==Recent Performances==
==Recent Performances==
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== Works for Percussion by this Composer ==
== Works for Percussion by this Composer ==
{{Mancini, David Works}}
{{Mancini, David Works}}<br>
 
 
 
<!-- Enter the composer's other works for percussion. You may delete this text once this is done.
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== References ==
<references/>
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[[Category:Template]]
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<br />


[[Category:Solo Works]]
[[Category:Timpani Works]]




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Revision as of 12:24, 7 August 2018

David Mancini


General Info

Year: 1973
Duration: c. 7:00
Difficulty: (see Ratings for explanation)
Publisher: Kendor
Cost: Score and Parts - $0.00   |   Score Only - $0.00

Movements

Instrumentation

Timpani


Program Notes

premiere: Spring 1973, Eastman School of Music, New York, D. Mancini, soloist

Review

David Mancini's Suite for Timpani (ca. :4:30) is written not in the usual multi-movement format of the baroque suite but as one continuous - albeit sectionalized - movement. However, like the indMdual movements of the suite, each section of this through-composed piece does maintain an identity of its own. The sections include a brief introduction followed by a moderato 12/8 section using repeated melodic patterns set in constantly changing accent schemes; a short, unbarred interlude characterized by crescendo, decrescendo, and legato rolls; a brief'section using a left-hand ostinato accompanying a right-hand melody; and a concluding section featuring alternating and variable meters. Except for wide-interval glissandi, the limited pedaling requirements involve conjunct pitches only. This is material for the more advanced high school or college level timpanist. From a musical standpoint, some sections of this work seem a bit too brief considering the proportions of the piece as a whole. However, this solo will not disappoint those who delight in a physical challenge and find moving rapidly over all four drums an exhilarating experience.

Reviewed By: John Raush

Review Originally Published: Fall 1987<ref>http://www.pas.org/resources/research/research-compositions</ref>

Errata

Awards

Commercial Discography

Online Recordings

Recent Performances

To submit a performance please join the TEK Percussion Database


Works for Percussion by this Composer

Solo

Celebration for 4 Concert Tom Toms - Tom Toms
Groovin' In TrinidadDrum Set
Jazz Solos: Drum Set Volume 2Drum Set Method
Joey's SongVibraphone
Latin JourneyMultiple Percussion
Recital Piece for Solo Percussion – Multiple Percussion
Suite for Timpani (Mancini) – Timpani
Suite No.2 for Timpani (Mancini) – Timpani

Solo with Percussion Ensemble Works

Concerto for Timpani, Drumset and Percussion Ensemble - Timpani; Drumset; Percussion Septet
Jubilee ConcertoTimpani; with Percussion Septet
Suite for Solo Drum Set and Percussion EnsembleDrum Set; with Percussion Septet
With Joy in his Heart – Drum Set; with Percussion Septet

Percussion Ensemble Works

Caribbean FestivalPercussion Septet; with Piano; with Electric Bass
Duet No. 1Percussion Duet
Exit 39Percussion Quartet
Extremes – Percussion Septet
Feel The SpiritPercussion Octet; with Piano
Fiesta Latina – Percussion Octet
March for Percussion SextetPercussion Sextet
Song of JoyPercussion Nonet
Three Moods for Percussion – Percussion Duet
Victory & Celebration - Percussion 11



Additional Resources



References

<references/>