The Principle Delusion: Difference between revisions
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[[ | [[Tomasz Golinski]] | ||
== General Info == | == General Info == | ||
'''Year of Published''': 2019<br /--> | |||
'''Year''': | '''Publisher''': [[Title Publisher]]<br /--> | ||
''' | |||
'''Difficulty''': (see [[Ratings]] for explanation)<br /--> | '''Difficulty''': (see [[Ratings]] for explanation)<br /--> | ||
''' | '''Duration''': 00:10:00 <br /--> | ||
'''Cost''': Score and Parts - $0.00 | Score Only - $0.00<br /--> | '''Cost''': Score and Parts - $0.00 | Score Only - $0.00<br /--> | ||
| Line 19: | Line 14: | ||
== Instrumentation == | == Instrumentation == | ||
Player 1: [[Glockenspiel]] <br/> | |||
Player 2: [[Chimes]]<br/> | |||
Player 3: [[Xylophone]] 1<br/> | |||
Player 4: [[Xylophone]] 2<br/> | |||
< | Player 5: [[Vibraphone]] 1<br/> | ||
Player | Player 6: [[Vibraphone]] 2<br/> | ||
Player | Player 7: [[Marimba]] 1<br/> | ||
Player | Player 8: [[Marimba]] 2<br/> | ||
Player | Player 9: [[Marimba]] 3<br/> | ||
Player | Player 10: [[Marimba]] 4<br/> | ||
Player | Player 11: [[Marimba]] 5<br/> | ||
Player | Player 12: [[Marimba]] 6<br/> | ||
Player | Player 13: [[Marimba]] 7<br/> | ||
Player 14: [[Marimba]] 8<br/> | |||
Player 15: [[Marimba]] 9<br/> | |||
Player 16: [[Marimba]] 10<br/> | |||
== Program Notes == | == Program Notes == | ||
The title “The Principle Delusion” in its meaning has to do with confusion in both science and religion between monotheism and monism. We always think that science is the one with all the correct answers because it always has some proof inside its equations. That is of course true but not for all. In one moment we have to realize how science is far away from giving answers and leave us with more questions. The piece consists of two movements. The first movement starts with a mysterious character with strong tremolo chords which are collapsing on each other. The second half of this movement changes the character into more infantile, charming, warm, happy, but also angry, massive and chaotic. It is kept in fast tempo in linear compositional fashion. The second movement which starts attaca is continuing the anger in broader context. The whole quartet is very intense with constantly developing narration and thick texture which is also a big challenge for the performers to keep the musical ideas clear and bring all the character from it. | |||
=== Review === | === Review === | ||
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===Online Recordings=== | ===Online Recordings=== | ||
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==Recent Performances== | ==Recent Performances== | ||
<embedvideo service="youtube">https://www.youtube.com/watch?v=3U_PeozEErU</embedvideo> | |||
< | |||
== Works for Percussion by this Composer == | == Works for Percussion by this Composer == | ||
{{ | {{Golinski, Tomasz Works}}<br> | ||
== Additional Resources == | == Additional Resources == | ||
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<br /> | <br /> | ||
[[Category: | [[Category: Percussion Ensemble Works]] | ||
[[Category: Percussion 16 Works]] | |||
Latest revision as of 05:01, 26 August 2026
General Info
Year of Published: 2019
Publisher: Title Publisher
Difficulty: (see Ratings for explanation)
Duration: 00:10:00
Cost: Score and Parts - $0.00 | Score Only - $0.00
Movements
Instrumentation
Player 1: Glockenspiel
Player 2: Chimes
Player 3: Xylophone 1
Player 4: Xylophone 2
Player 5: Vibraphone 1
Player 6: Vibraphone 2
Player 7: Marimba 1
Player 8: Marimba 2
Player 9: Marimba 3
Player 10: Marimba 4
Player 11: Marimba 5
Player 12: Marimba 6
Player 13: Marimba 7
Player 14: Marimba 8
Player 15: Marimba 9
Player 16: Marimba 10
Program Notes
The title “The Principle Delusion” in its meaning has to do with confusion in both science and religion between monotheism and monism. We always think that science is the one with all the correct answers because it always has some proof inside its equations. That is of course true but not for all. In one moment we have to realize how science is far away from giving answers and leave us with more questions. The piece consists of two movements. The first movement starts with a mysterious character with strong tremolo chords which are collapsing on each other. The second half of this movement changes the character into more infantile, charming, warm, happy, but also angry, massive and chaotic. It is kept in fast tempo in linear compositional fashion. The second movement which starts attaca is continuing the anger in broader context. The whole quartet is very intense with constantly developing narration and thick texture which is also a big challenge for the performers to keep the musical ideas clear and bring all the character from it.
Review
Errata
Awards
Commercial Discography
Online Recordings
Recent Performances
Works for Percussion by this Composer
Template:Golinski, Tomasz Works
Additional Resources
References