Difference between revisions of "Percolative Processes"
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| − | [[ | + | [[Stephen Hartke]] |
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== General Info == | == General Info == | ||
| − | + | '''Year of Published''': 2005<br /--> | |
| − | ''' | + | '''Publisher''': [[Keiser Productions]]<br /--> |
| − | '''Duration''': | + | '''Duration''': 00:05:00<br /--> |
'''Difficulty''': (see [[Ratings]] for explanation)<br /--> | '''Difficulty''': (see [[Ratings]] for explanation)<br /--> | ||
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'''Cost''': Score and Parts - $0.00 | Score Only - $0.00<br /--> | '''Cost''': Score and Parts - $0.00 | Score Only - $0.00<br /--> | ||
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== Instrumentation == | == Instrumentation == | ||
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== Program Notes == | == Program Notes == | ||
| − | + | Percolative Processes was commissioned by the Los Angeles County Natural History Museum as part of their 2006 Sonic Scenery project, in which ten local composers and musical groups were asked to write site-specific pieces for Museum visitors to listen to over head-sets while touring the galleries of the permanent collections. I selected the Hall of Minerals and Gems, a long-time favorite both of mine and my son, Sandy, and created a work for large percussion ensemble, that was then recorded in layers, making it possible for five players to do the work of thirteen.The piece is a reflection on the process of mineral formation, starting with inchoate sounds in cymbals and marimba, rippling murmurs, metallic sounds modulated by dipping instruments in water, then moves to harder-edged mallet percussion, both struck and bowed, and culminates in an angular chorale for vibraphone that crystallizes various motifs that have been heard along the way. At the very end, as the last chord dies away, we hear a small metal hammer chipping at a piece of stone | |
=== Review === | === Review === | ||
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== Works for Percussion by this Composer == | == Works for Percussion by this Composer == | ||
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== Additional Resources == | == Additional Resources == | ||
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| − | [[Category: | + | [[Category: Percussion Ensemble Works]] |
| − | + | [[Category: Percussion 12 Works]] | |
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Latest revision as of 09:42, 11 August 2025
General Info
Year of Published: 2005
Publisher: Keiser Productions
Duration: 00:05:00
Difficulty: (see Ratings for explanation)
Cost: Score and Parts - $0.00 | Score Only - $0.00
Instrumentation
Program Notes
Percolative Processes was commissioned by the Los Angeles County Natural History Museum as part of their 2006 Sonic Scenery project, in which ten local composers and musical groups were asked to write site-specific pieces for Museum visitors to listen to over head-sets while touring the galleries of the permanent collections. I selected the Hall of Minerals and Gems, a long-time favorite both of mine and my son, Sandy, and created a work for large percussion ensemble, that was then recorded in layers, making it possible for five players to do the work of thirteen.The piece is a reflection on the process of mineral formation, starting with inchoate sounds in cymbals and marimba, rippling murmurs, metallic sounds modulated by dipping instruments in water, then moves to harder-edged mallet percussion, both struck and bowed, and culminates in an angular chorale for vibraphone that crystallizes various motifs that have been heard along the way. At the very end, as the last chord dies away, we hear a small metal hammer chipping at a piece of stone
Review
Errata
Awards
Commercial Discography
Online Recordings
Recent Performances
To submit a performance please join the TEK Percussion Database
Works for Percussion by this Composer
Template:Hartke, Stephen Works
Additional Resources
References