Difference between revisions of "American Biomes"

From TEK Percussion Database
Jump to navigation Jump to search
 
(2 intermediate revisions by the same user not shown)
Line 14: Line 14:
  
 
==Movements==
 
==Movements==
I. TUNDRASTRUCK
+
I. TUNDRASTRUCK<br>
II. DESERT SHIFTS
+
II. DESERT SHIFTS<br>
III. PRAIRIE NOCTURNE
+
III. PRAIRIE NOCTURNE<br>
IV. DECIDUOUS INTERLUDE (FAUNA)
+
IV. DECIDUOUS INTERLUDE (FAUNA)<br>
V. CAT O' NINE-TAILS AND THE NUTRIENT WATER
+
V. CAT O' NINE-TAILS AND THE NUTRIENT WATER<br>
VI. HEARTLAND (1202021)
+
VI. HEARTLAND (1202021)<br>
VII. COASTAL PASSACAGLIA
+
VII. COASTAL PASSACAGLIA<br>
VIII. ALPINE SHADOWS
+
VIII. ALPINE SHADOWS<br>
IX. CONIFEROUS INTERLUDE (FLORA)
+
IX. CONIFEROUS INTERLUDE (FLORA)<br>
X. SUBURBAN SPRAWL
+
X. SUBURBAN SPRAWL<br>
  
 
<!-- Enter the title and duration of individual movements. Make sure the movements are listed by number, and use a line break <nowiki>( <br /> )</nowiki> at the end of each line. If this is a single movement work, please delete the entire category. You may delete this text once this is done. -->
 
<!-- Enter the title and duration of individual movements. Make sure the movements are listed by number, and use a line break <nowiki>( <br /> )</nowiki> at the end of each line. If this is a single movement work, please delete the entire category. You may delete this text once this is done. -->
Line 93: Line 93:
 
<embedvideo service="youtube">https://youtu.be/anHvn689MhY?si=B-HHCbNPKkfecUVy</embedvideo> <Br>
 
<embedvideo service="youtube">https://youtu.be/anHvn689MhY?si=B-HHCbNPKkfecUVy</embedvideo> <Br>
 
<embedvideo service="youtube">https://youtu.be/wrCyaH71Pbo?si=MoMwz3CfDrl_VYX4</embedvideo> <br>
 
<embedvideo service="youtube">https://youtu.be/wrCyaH71Pbo?si=MoMwz3CfDrl_VYX4</embedvideo> <br>
 +
<embedvideo service="youtube">https://www.youtube.com/watch?v=ksI7gh-ZFio&t=2s</embedvideo> <br>
 +
<embedvideo service="youtube">https://www.youtube.com/watch?v=OL90DATvEK8&t=1s</embedvideo> <br>
 +
<embedvideo service="youtube">https://youtu.be/NLQJ9yFTAn0?si=5pKvGqkPwCxmbDsz</embedvideo> <br>
 +
<embedvideo service="youtube">https://youtu.be/aDUnr3qvgtA?si=K9Yv9OwNkoXo7_Yd</embedvideo> <br>
 +
<embedvideo service="youtube">https://youtu.be/uI1QfPkKiR4?si=Jl2lRjaWmeqRCpg8</embedvideo> <br>
 +
<embedvideo service="youtube">https://youtu.be/2F8-EIZ0dw0?si=Ak7lh08SFAcrmds3</embedvideo> <br>
 +
<embedvideo service="youtube">https://youtu.be/SYwV3G6fFNk?si=NIB3sTFep8a3--y4</embedvideo> <br>
 +
<embedvideo service="youtube">https://youtu.be/eXBPxYLLVDQ?si=o2pSAB_SACDuuadZ</embedvideo> <br>
  
  

Latest revision as of 19:05, 13 January 2026

Jamie Whitmarsh


General Info

Year: 2021
Duration: c. 60:00+
Difficulty: (see Ratings for explanation)
Publisher: Whitmarsh
Cost: Score and Parts - $0.00   |   Score Only - $0.00


Movements

I. TUNDRASTRUCK
II. DESERT SHIFTS
III. PRAIRIE NOCTURNE
IV. DECIDUOUS INTERLUDE (FAUNA)
V. CAT O' NINE-TAILS AND THE NUTRIENT WATER
VI. HEARTLAND (1202021)
VII. COASTAL PASSACAGLIA
VIII. ALPINE SHADOWS
IX. CONIFEROUS INTERLUDE (FLORA)
X. SUBURBAN SPRAWL


Instrumentation

Player I:
Player II:
Player III:
Player IV:


Program Notes

American Biomes is a concert-length work for percussion quartet, written for a consortium of percussionists around the world. Over the 60-minute work, ten movements will provide a glimpse into the natural makeup of North America. It is my hope that this piece will bring something new to the listener each time they experience it. I am incredibly thankful to the consortium members that elected to participate, and especially to consortium lead Dr. Tommy Dobbs and the premiering ensemble, University of Arkansas-Fort Smith Percussion Ensemble. The premiere performance is below, followed by descriptions of each movement.

I. TUNDRASTRUCK
TUNDRASTRUCK is written to evoke a vast natural expanse, using a combination of huge, boomy sounds (concert bass drum, tam tam) and icy textures (vibraphone, triangles).

II. DESERT SHIFTS
DESERT SHIFTS is a non-stop adventure, and is the most typical movement of the percussion ensemble genre. There is constant rhythmic groove permeating this movement, with a circular main thematic figure that often obscures the meter.

III. PRAIRIE NOCTURNE
PRAIRIE NOCTURNE is contrapuntal and dark. This movement marks the first full iteration of the main melodic figure that is developed throughout this work. I like to imagine a single-bedroom cabin on a hill in the prairie, lit by a small lamp. Dark, but not in a foreboding way.

IV. DECIDUOUS INTERLUDE (FAUNA)
DECIDUOUS INTERLUDE (FAUNA) is colorful, with three gestural bursts. Imagine the forest and all of the life that it supports.

V. CAT O' NINE-TAILS AND THE NUTRIENT WATER
CAT O' NINE-TAILS AND THE NUTRIENT WATER is written in what is roughly a song form: there is an intro, a verse and chorus that alternate, a bridge (in this case it is in a new tempo), then a return to the verse followed by an outro. To my ears, it is a day and night in a swamp. The murky fluids (nutrient water) traversed by various amphibians and insects, decorated with various foliage (cat of nine-tails), with an overnight party in the swamp. The outro might serve as the sun rising on a new day.

VI. HEARTLAND (1202021)
HEARTLAND (1202021) is, to me, the heart of the piece. I live in a "flyover" state and I am in love with the landscape and the scenery. Call me an optimist but I believe this American experiment can work if we take care of each other.

VII. COASTAL PASSACAGLIA
COASTAL PASSACAGLIA is a single-form work, with each iteration of the theme developing into a more aggressive form, ultimately creating crashing waves of sound.

VIII. ALPINE SHADOWS
ALPINE SHADOWS is by far the most difficult work, written to demonstrate the limits of percussion quartet performance. The duality is present here as well - between the difficulty of climbing to the highest heights and the breathtaking and expansive view you find there.

IX. CONIFEROUS INTERLUDE (FLORA)
CONIFEROUS INTERLUDE (FLORA) is a dry, exploratory work for any number of performers. The material is largely un-pitched, save for a reference to the first movement. The listener might imagine this as the sonic perspective from the forest floor.

X. SUBURBAN SPRAWL
Written to be the true finale, SUBURBAN SPRAWL begins with four performers in close quarters. As they disperse, they" build out" and expand the setup. As the work progresses, there are various "builds" that are not completed. After a particularly large build, we visit each of the previous movements before truly arriving and releasing the tension created throughout this movement.[1]

Review

Errata

Awards

Commercial Discography

Online Recordings














Recent Performances

New Percussion Literature Showcase Concert - Pasic 2023 - East Tennessee State University - 11/9/23

To submit a performance please join the TEK Percussion Database


Works for Percussion by this Composer

Almost Like the Rain - Vibraphone
American Biomes - Percussion Quartet
Aqueous Transfusion - Vibraphone, Electronics
Concerto for Drumset and Percussion Ensemble - Drumset, Percussion Octet
Crepuscular Rays - Percussion Ensemble (11) plus optional String Bass or Bass Marimba
Dialogue (Whitmarsh) - Marimba, Clarinet
How Will I Die? Goose Rabies - Marimba
Incontro Deux - Percussion Duo
Microcosm - Percussion Nonet, Piano
NAILS!!! - Percussion Ensemble (10)
Ringtone Rondo - Percussion Ensemble (14)
Shades of Green - Percussion Octet, Saxophone Quartet
Starquake - Percussion Quartet
Sum Of Our Secrets - Percussion Duo, Electronics
To Escape Lucidity - Percussion Quartet operating electronic instruments, Engine Room, Steel Band
Variations 2.0 - Snare Drum, Electronics
Vela X-1 - Percussion Quartet, Flute



Additional Resources



References