Difference between revisions of "Living Room Music"
| (13 intermediate revisions by the same user not shown) | |||
| Line 1: | Line 1: | ||
| − | [[ | + | [[John Cage]] |
| − | |||
<!-- fill in the name of the file (it can be a .jpg or a .gif) as well as the composer's name in the fields above. You may delete this text once this is done.--> | <!-- fill in the name of the file (it can be a .jpg or a .gif) as well as the composer's name in the fields above. You may delete this text once this is done.--> | ||
| Line 7: | Line 6: | ||
== General Info == | == General Info == | ||
| − | '''Year''': | + | '''Year''': 1940<br /--> |
'''Duration''': c. 6' <br /--> | '''Duration''': c. 6' <br /--> | ||
'''Difficulty''': 5 (see [[Ratings]] for explanation)<br /--> | '''Difficulty''': 5 (see [[Ratings]] for explanation)<br /--> | ||
'''Publisher''': C. F. Peters Corporation <br /--> | '''Publisher''': C. F. Peters Corporation <br /--> | ||
| − | '''Cost''': Score and Parts | + | '''Cost''': Score and Parts - $22.25<br /--> |
| + | |||
| + | |||
==Movements== | ==Movements== | ||
| + | I. To Begin<br> | ||
| + | II. Story<br> | ||
| + | III. Melody<br> | ||
| + | IV. End<br> | ||
<!-- Enter the title and duration of individual movements. Make sure the movements are listed by number, and use a line break <nowiki>( <br /> )</nowiki> at the end of each line. If this is a single movement work, please delete the entire category. You may delete this text once this is done. --> | <!-- Enter the title and duration of individual movements. Make sure the movements are listed by number, and use a line break <nowiki>( <br /> )</nowiki> at the end of each line. If this is a single movement work, please delete the entire category. You may delete this text once this is done. --> | ||
| Line 19: | Line 24: | ||
== Instrumentation == | == Instrumentation == | ||
| + | Players I-IV: Any household objects or architectural elements may be used as instruments: Magazines, newspaper, cardboard, table, largish books, floor, wall, door, wooden frame of window, etc... | ||
| + | |||
| − | |||
| + | <!--for copying and pasting | ||
| + | Player I: <br> | ||
| + | Player II: <br> | ||
| + | Player III: <br> | ||
| + | Player IV: <br> | ||
| + | Player V: <br> | ||
| + | Player VI: <br> | ||
| + | Player VII: <br> | ||
| + | Player VIII: <br> --> | ||
| − | == | + | == Program Notes == |
| + | Living Room Music is dedicated to Cage's then-wife Xenia. It is a quartet for unspecified instruments, all of which may be found in a living room of a typical house. The work consists of four movements: "To Begin", "Story", "Melody", and "End". Cage instructs the performers to use any household objects or architectural elements as instruments, and gives examples: magazines, cardboard, "largish books", floor, wooden frame of window, etc. | ||
| − | + | The piece is in four brief movements: the first is "To Begin". It is a joyful percussion piece in polyrhythms, not too difficult and not too easy. Movement II ("Story") is a rhythmically spoken setting (including extended phonemics that sound like tiny machines, and whistling) of the opening of Gertrude Stein's "The World is Round": "Once upon a time the world was round and you could go on it around and around". Movement III, "Melody" combines the rhythmical tapping of Movement I with a modal melody in an Indian-like scale than can be played on any convenient melodic instrument. Movement IV is appropriately named "End" and is another delightful rhythm session. | |
| + | <ref>— James Pritchett, The Music of John Cage; “Blue” Gene Tyranny </ref> | ||
| − | == | + | === Review === |
| − | + | == Errata == | |
| + | <!-- Enter errata...if there is none, enter this: {{none}} You may delete this text once this is done.--> | ||
| − | ==Awards== | + | == Awards == |
<!-- Enter any awards this composition may have won. If there are none, then delete the entire category. You may delete this text once this is done.--> | <!-- Enter any awards this composition may have won. If there are none, then delete the entire category. You may delete this text once this is done.--> | ||
| + | == Commercial Discography== | ||
| + | ===Online Recordings=== | ||
| − | = | + | <!-- <embedvideo service="youtube">SAMPLENAME</embedvideo> --> |
| − | |||
<!-- Enter any COMMERCIALLY available recordings or downloads...if there are none, enter this: {{none}} You may delete this text once this is done.--> | <!-- Enter any COMMERCIALLY available recordings or downloads...if there are none, enter this: {{none}} You may delete this text once this is done.--> | ||
| − | |||
==Recent Performances== | ==Recent Performances== | ||
| Line 51: | Line 69: | ||
== Works for Percussion by this Composer == | == Works for Percussion by this Composer == | ||
| + | {{cageworks}}<br> | ||
| + | |||
| − | |||
| + | <!-- Enter the composer's other works for percussion. You may delete this text once this is done. | ||
| + | ie: {{Becerra-Schmidt, Gustavo Works}} --> | ||
== Additional Resources == | == Additional Resources == | ||
| − | + | Dissertation: [http://bmichaelwilliams.com/wp-content/uploads/1990/02/MusicDissertionPDF.pdf The Early Percussion Music Of John Cage 1935 - 1943]<ref>http://bmichaelwilliams.com/wp-content/uploads/1990/02/MusicDissertionPDF.pdf</ref> | |
<!-- Enter any resources...if there are none, enter this: {{none}} You may delete this text once this is done --> | <!-- Enter any resources...if there are none, enter this: {{none}} You may delete this text once this is done --> | ||
| Line 62: | Line 83: | ||
<br /--> | <br /--> | ||
| + | == References == | ||
| + | <references/> | ||
| + | <!-- Enter any resources...if there are none, enter this: {{none}} --> | ||
| + | |||
| + | <br /> | ||
| + | <br /> | ||
| + | [[Category:Percussion Ensemble Works]] | ||
| + | [[Category:Historical Works]] | ||
| + | [[Category:Percussion Quartet Works]] | ||
| + | [[Category:Indeterminate Instrumentation Works]] | ||
| + | [[Category:Theater Works]] | ||
| − | |||
<!-- Don't forget to add categories, literature, instruments, history, pedagogy, sticks, etc. Also delete the Template category. To see what categories are available, see: http://www.tekpercussion.com/Special:Categories --> | <!-- Don't forget to add categories, literature, instruments, history, pedagogy, sticks, etc. Also delete the Template category. To see what categories are available, see: http://www.tekpercussion.com/Special:Categories --> | ||
<!-- Don't forget to add categories, such as overtures, symphonies, etc., and also add the grade of the work. --> | <!-- Don't forget to add categories, such as overtures, symphonies, etc., and also add the grade of the work. --> | ||
Latest revision as of 01:46, 12 June 2025
General Info
Year: 1940
Duration: c. 6'
Difficulty: 5 (see Ratings for explanation)
Publisher: C. F. Peters Corporation
Cost: Score and Parts - $22.25
Movements
I. To Begin
II. Story
III. Melody
IV. End
Instrumentation
Players I-IV: Any household objects or architectural elements may be used as instruments: Magazines, newspaper, cardboard, table, largish books, floor, wall, door, wooden frame of window, etc...
Program Notes
Living Room Music is dedicated to Cage's then-wife Xenia. It is a quartet for unspecified instruments, all of which may be found in a living room of a typical house. The work consists of four movements: "To Begin", "Story", "Melody", and "End". Cage instructs the performers to use any household objects or architectural elements as instruments, and gives examples: magazines, cardboard, "largish books", floor, wooden frame of window, etc.
The piece is in four brief movements: the first is "To Begin". It is a joyful percussion piece in polyrhythms, not too difficult and not too easy. Movement II ("Story") is a rhythmically spoken setting (including extended phonemics that sound like tiny machines, and whistling) of the opening of Gertrude Stein's "The World is Round": "Once upon a time the world was round and you could go on it around and around". Movement III, "Melody" combines the rhythmical tapping of Movement I with a modal melody in an Indian-like scale than can be played on any convenient melodic instrument. Movement IV is appropriately named "End" and is another delightful rhythm session. [1]
Review
Errata
Awards
Commercial Discography
Online Recordings
Recent Performances
To submit a performance please join the TEK Percussion Database
Works for Percussion by this Composer
27' 10.554" for a Percussionist - Multiple Percussion
Amores - Percussion Trio; Piano
Branches - Percussion Duo
But what about the noise of crumpling paper.....? - Percussion Sextet
Child of Tree - Multiple Percussion
Composed Improvisation for Snare Drum - Snare Drum
Composed Improvisation: for one-sided drum with or without jangles - Multiple Percussion
Composed Improvisation: for Snare Drum Alone - Snare Drum
Credo in US - Percussion Quartet
Dance Music: for Elfrid Ide - Percussion Sextet; Dancer
Double Music - Percussion Quartet - Cage/Harrison
First Construction (in metal) - Percussion Quintet; Piano
Forever and Sunsmell - Percussion Duo; Voice
Four4 - Percussion Quartet
Imaginary Landscape No.2 - Percussion Quintet
Imaginary Landscape No.3 - Percussion Sextet
Imaginary Landscape No.4 or March No. 2 - 12 Radios - 24 Players
Inlets - Percussion Trio; Conch Shells
Living Room Music - Percussion Quartet
One4 - Multiple Percussion
Quartet - Percussion Quartet
R= Ryoanji - Multiple Percussion
Second Construction - Percussion Trio; Piano
She is Asleep: Quartet - Percussion Quartet; Voice; Piano
Six - Percussion Sextet
The Wonderful Widow of Eighteen Springs Multiple Percussion (Piano); Voice
Third Construction - Percussion Quartet
Three2 - Percussion Trio
Trio - Percussion Trio
Additional Resources
Dissertation: The Early Percussion Music Of John Cage 1935 - 1943[2]
References
- ↑ — James Pritchett, The Music of John Cage; “Blue” Gene Tyranny
- ↑ http://bmichaelwilliams.com/wp-content/uploads/1990/02/MusicDissertionPDF.pdf