Difference between revisions of "Concerto for Ivana"
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| − | + | [[Igor Kuljerić]] | |
| + | ==General Info== | ||
| + | Published: 2007 <br/> | ||
| + | Publisher: [[Edition Sviter]] <br/> | ||
| + | Difficulty: Advanced <br/> | ||
| + | Duration: 00:26:00 <br/> | ||
| + | Cost: $77.95 <br/> | ||
| + | |||
| + | ==Instrumentation== | ||
| + | ===Soloist=== | ||
| + | [[Marimba]] <br/> | ||
| + | ===Orchestra=== | ||
| + | Strings: [[Violin]] 1/2 & [[Viola]] & [[Cello]] & [[Double Bass]]<br/> | ||
| + | Woodwinds: [[Flute]] 1/2 (2nd Doubling [[Piccolo]]) & [[Oboe]] 1/2 & [[Clarinet]] 1/2 (2nd Doubling [[Bass Clarinet]]) & [[Bassoon]] 1/2 <br/> | ||
| + | Brass: [[French Horn]] 1/2/3/4 & [[Trumpet]] 1/2 & [[Trombone]] <br/> | ||
| + | Percussion: | ||
| + | Player 1: [[Timpani]] | ||
| + | Player 2: [[Glockenspiel]] & [[Tubular Bells]] & 4 [[Timpani]] & [[Slapstick]] & [[Suspended Cymbals]](High & Medium & Low) & [[Sizzle Cymbal]] & [[Temple Blocks]] & 3 [[Bongos]] & [[shaker]] & [[Tam-tam]] & [[Maracas]] & 2 Concert [[Tom-toms]] & [[Bass Drum]] & [[Castanet]] & [[Triangle]] & [[Claves]] & [[Darabuka]] <br/> | ||
| + | Player 3: [[Vibraphone]] & [[Tubular Bells]] & 2 [[Egg Shaker]] & [[Suspended Cymbals]](High & Medium & Low) & [[Sizzle Cymbal]] & Bamboo [[Wind Chimes]] & [[opera gong]] & Glass [[Wind Chimes]] & [[Bass Drum]] & [[Castanet]] & [[Slapstick]] <br/> | ||
| + | Keyboard: Piano (Doubling [[Celesta]])<br/> | ||
| + | |||
| + | ==Movement== | ||
| + | Movement 1: Con motto<br/> | ||
| + | Movement 2: Lento<br/> | ||
| + | Movement 3: Allegro<br/> | ||
| + | |||
| + | ==Program Notes== | ||
| + | Composing a solo concerto for a modern instrument can hardly be done without observing the historic practice in pieces written for „elite“ concert instruments /piano, violin, cello.../ | ||
| + | |||
| + | For me it was also important to consider the origins of the instrument. They can be found outside the European traditions - in the polyphonic rhythms of the gamelan orchestra, in the multiple patterns of the Latin styles and the global influence of jazz and pop music... | ||
| + | |||
| + | I was equally eager to avoid scholastic debates about the presumably exploited traditional music vocabulary. The 9 chord with impressionist flavor, polyrhythms, steady pulse, reiteration of short musical phrases and other musical phenomena, which are too easily connected with certain composers, when put in different positions and relations could once again become „virgin“ material, ready and open for re-form and re-newal. CONCERTO FOR IVANA follows the usual three movements structure (fast-slow-faster) but in only one flow. The basic musical ideas are already present at the very beginning of the piece. | ||
| + | |||
| + | ==Recent Performance== | ||
| + | <embedvideo service="youtube">https://www.youtube.com/watch?v=Gseb_7cP_Js </embedvideo> | ||
| + | |||
| + | ==Works for Percussion by this Composer== | ||
| + | {{Kuljerić, Igor Works}} | ||
| + | |||
| + | ==Reference== | ||
| + | |||
| + | [[Category: Marimba Concerto Works]] | ||
| + | [[Category: Marimba Concerto with Orchestra Works]] | ||
| + | [[Category: Marimba Solo Works]] | ||
| + | [[Category: Orchestra Works]] | ||
Latest revision as of 22:45, 11 April 2022
General Info
Published: 2007
Publisher: Edition Sviter
Difficulty: Advanced
Duration: 00:26:00
Cost: $77.95
Instrumentation
Soloist
Orchestra
Strings: Violin 1/2 & Viola & Cello & Double Bass
Woodwinds: Flute 1/2 (2nd Doubling Piccolo) & Oboe 1/2 & Clarinet 1/2 (2nd Doubling Bass Clarinet) & Bassoon 1/2
Brass: French Horn 1/2/3/4 & Trumpet 1/2 & Trombone
Percussion:
Player 1: Timpani
Player 2: Glockenspiel & Tubular Bells & 4 Timpani & Slapstick & Suspended Cymbals(High & Medium & Low) & Sizzle Cymbal & Temple Blocks & 3 Bongos & shaker & Tam-tam & Maracas & 2 Concert Tom-toms & Bass Drum & Castanet & Triangle & Claves & Darabuka
Player 3: Vibraphone & Tubular Bells & 2 Egg Shaker & Suspended Cymbals(High & Medium & Low) & Sizzle Cymbal & Bamboo Wind Chimes & opera gong & Glass Wind Chimes & Bass Drum & Castanet & Slapstick
Keyboard: Piano (Doubling Celesta)
Movement
Movement 1: Con motto
Movement 2: Lento
Movement 3: Allegro
Program Notes
Composing a solo concerto for a modern instrument can hardly be done without observing the historic practice in pieces written for „elite“ concert instruments /piano, violin, cello.../
For me it was also important to consider the origins of the instrument. They can be found outside the European traditions - in the polyphonic rhythms of the gamelan orchestra, in the multiple patterns of the Latin styles and the global influence of jazz and pop music...
I was equally eager to avoid scholastic debates about the presumably exploited traditional music vocabulary. The 9 chord with impressionist flavor, polyrhythms, steady pulse, reiteration of short musical phrases and other musical phenomena, which are too easily connected with certain composers, when put in different positions and relations could once again become „virgin“ material, ready and open for re-form and re-newal. CONCERTO FOR IVANA follows the usual three movements structure (fast-slow-faster) but in only one flow. The basic musical ideas are already present at the very beginning of the piece.