CTPAX: STRAH, op.12: Difference between revisions
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[[ | [[Nebojsa Jovan Zivkovic]] | ||
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== General Info == | == General Info == | ||
'''Year''': <br /--> | '''Year''': 1987<br /--> | ||
'''Duration''': c. <br /--> | '''Duration''': c. 11:30<br /--> | ||
'''Difficulty''': (see [[Ratings]] for explanation)<br /--> | '''Difficulty''': (see [[Ratings]] for explanation)<br /--> | ||
'''Publisher''': | '''Publisher''': [[MusicaEur]]<br /--> | ||
'''Cost''': Score and Parts - | '''Cost''': Score and Parts - € 20.00 | Score Only - $0.00<br /--> | ||
== Instrumentation == | == Instrumentation == | ||
[[Image:strah_strah.jpg|right|thumb|350px|"STRAH*CTPAX"]] | |||
[[Multiple Percussion]]:<ref>http://www.zivkovic.de/strah.htm Image from Ed. Musica Europea</ref>: [[Vibraphone]], 3 [[Cymbals]], [[Bongos]], [[Snare Drum]], 4 TUNED [[Almglocken]] (c2, es2, h2 d3), Two [[Triangles]], [[Schellenkranz]]-[[tambourine]], 5 [[Temple blocks]], Two [[Woodblocks]], 3 [[Tom-Toms]] (12,13,15 Inch), [[Bass Drum with pedal]], [[flexatone]] <br> | |||
[[with tape]]<br> | |||
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== Program Notes == | |||
dedication: to Dmitri Shostakovich; premiere: 30 May 1987, Mannheim, Germany, by the composer (optional tape part includes Shostakovich's voice) | |||
=== Review === | |||
Zivkovic's CTPAX: STRAH for solo percussion and tape is written in honor of composer Dmitri Shostakovich. The work can be performed with or without the tape which contains the voice of Shostakovich. Unfortunately the publisher did not forward a copy of the tape for review. The composition is written for a multiple percussion set up of cymbals, triangles, almglocken, temple block% wood blocks, bass drum with foot pedal, tomtoms snare drum, bongos, vibraphones and other small instruments. Zivkovic also calls for the performer to speak and yell during a section with tape. The legend and manuscript is dear but all of the performance notes are in German. The work opens with slow quiet statements on the cymbals and triangles. Written without meter, the music contains a steady pulse. Gradually the rhythms begin to obscure the pulse as the music turns to an improvisatory nature. Here the vibraphone issues short statements in a conversation style manner with interjections of the metal and wood instruments. Leading to alterations of rhythmic and senza misura sections, the composition finally ends with a fortissimo sixteenth notes passage and an abrupt final note. CTPAX: STRAH would probably be a more effective concert selection when performed with the tape. The serious nature of the work seems to demand the added Ingredient that the tape would supply. Well suited for a graduate recital, Zivkovic's CTPAX: STRAH would provide equal measures of intensity and intrigue to any performance. - Mark Ford, Spring 1990<ref>[http://www.pas.org PAS.ORG]</ref> | |||
== | == Errata == | ||
<!-- Enter errata...if there is none, enter this: {{none}} You may delete this text once this is done.--> | |||
==Awards== | == Awards == | ||
<!-- Enter any awards this composition may have won. If there are none, then delete the entire category. You may delete this text once this is done.--> | <!-- Enter any awards this composition may have won. If there are none, then delete the entire category. You may delete this text once this is done.--> | ||
== Commercial Discography== | == Commercial Discography== | ||
Recorded on CD "marimba & percussion" by Nebojsa (Cadenza, Bayer Records, CAD D 878-8, Helikon Heidelberg) | |||
<!-- Enter any COMMERCIALLY available recordings or downloads...if there are none, enter this: {{none}} You may delete this text once this is done.--> | <!-- Enter any COMMERCIALLY available recordings or downloads...if there are none, enter this: {{none}} You may delete this text once this is done.--> | ||
==Recent Performances== | ==Recent Performances== | ||
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== Works for Percussion by this Composer == | == Works for Percussion by this Composer == | ||
{{Zivkovicworks}}<br> | |||
<!-- Enter the composer's other works for percussion. You may delete this text once this is done. | |||
ie: {{Becerra-Schmidt, Gustavo Works}} --> | |||
== Additional Resources == | == Additional Resources == | ||
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== References == | |||
<references/> | |||
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<br /> | |||
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[[Category:Template]] | |||
<!-- Don't forget to add categories, literature, instruments, history, pedagogy, sticks, etc. Also delete the Template category. To see what categories are available, see: http://www.tekpercussion.com/Special:Categories --> | <!-- Don't forget to add categories, literature, instruments, history, pedagogy, sticks, etc. Also delete the Template category. To see what categories are available, see: http://www.tekpercussion.com/Special:Categories --> | ||
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Latest revision as of 02:35, 21 November 2013
General Info
Year: 1987
Duration: c. 11:30
Difficulty: (see Ratings for explanation)
Publisher: MusicaEur
Cost: Score and Parts - € 20.00 | Score Only - $0.00
Instrumentation
Multiple Percussion:[1]: Vibraphone, 3 Cymbals, Bongos, Snare Drum, 4 TUNED Almglocken (c2, es2, h2 d3), Two Triangles, Schellenkranz-tambourine, 5 Temple blocks, Two Woodblocks, 3 Tom-Toms (12,13,15 Inch), Bass Drum with pedal, flexatone
Program Notes
dedication: to Dmitri Shostakovich; premiere: 30 May 1987, Mannheim, Germany, by the composer (optional tape part includes Shostakovich's voice)
Review
Zivkovic's CTPAX: STRAH for solo percussion and tape is written in honor of composer Dmitri Shostakovich. The work can be performed with or without the tape which contains the voice of Shostakovich. Unfortunately the publisher did not forward a copy of the tape for review. The composition is written for a multiple percussion set up of cymbals, triangles, almglocken, temple block% wood blocks, bass drum with foot pedal, tomtoms snare drum, bongos, vibraphones and other small instruments. Zivkovic also calls for the performer to speak and yell during a section with tape. The legend and manuscript is dear but all of the performance notes are in German. The work opens with slow quiet statements on the cymbals and triangles. Written without meter, the music contains a steady pulse. Gradually the rhythms begin to obscure the pulse as the music turns to an improvisatory nature. Here the vibraphone issues short statements in a conversation style manner with interjections of the metal and wood instruments. Leading to alterations of rhythmic and senza misura sections, the composition finally ends with a fortissimo sixteenth notes passage and an abrupt final note. CTPAX: STRAH would probably be a more effective concert selection when performed with the tape. The serious nature of the work seems to demand the added Ingredient that the tape would supply. Well suited for a graduate recital, Zivkovic's CTPAX: STRAH would provide equal measures of intensity and intrigue to any performance. - Mark Ford, Spring 1990[2]
Errata
Awards
Commercial Discography
Recorded on CD "marimba & percussion" by Nebojsa (Cadenza, Bayer Records, CAD D 878-8, Helikon Heidelberg)
Recent Performances
To submit a performance please join the TEK Percussion Database
Works for Percussion by this Composer
Additional Resources
References
- ↑ http://www.zivkovic.de/strah.htm Image from Ed. Musica Europea
- ↑ PAS.ORG