Three Phases: Difference between revisions
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== General Info == | == General Info == | ||
'''Year''': <br /--> | '''Year''': 1996<br /--> | ||
'''Duration''': c. | '''Duration''': c.<br /--> | ||
'''Difficulty''': (see [[Ratings]] for explanation)<br /--> | '''Difficulty''': (see [[Ratings]] for explanation)<br /--> | ||
'''Publisher''': [[ | '''Publisher''': [[Columbia]]<br /--> | ||
'''Cost''': Score and Parts - $0.00 | Score Only - $0.00<br /--> | '''Cost''': Score and Parts - $0.00 | Score Only - $0.00<br /--> | ||
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== Instrumentation == | == Instrumentation == | ||
[[ | Player I: [[Marimba]]<br> | ||
Player II: Marimba<br> | |||
Player III: Marimba<br> | |||
Player IV: Marimba<br> | |||
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== Program Notes == | == Program Notes == | ||
=== Review === | |||
The "three phases" of this marimba quartet for college-level students (revealed in the titles to its three movements) are "distress," "melancholy" and "relief." The entire first movement is developed contrapuntally using an eight-note bass melody set in octaves and presented in fugue-like fashion. This eight-note "theme" is heard in various voices and guises (including inversions) throughout the movement. In the second movement, several chromatic motives are woven into a polyphonic fabric. The third movement features a two-bar ostinato and a lilting rhythm pattern set in 5/8 meter. The work is effectively scored, and should display the full tonal spectrum of the marimba ensemble. The publication contributes to the substantive literature for a genre that is not overburdened with good material. - John R. Raush, April 1997<ref>[http://www.pas.org PAS.ORG]</ref> | |||
Latest revision as of 01:10, 17 November 2013
General Info
Year: 1996
Duration: c.
Difficulty: (see Ratings for explanation)
Publisher: Columbia
Cost: Score and Parts - $0.00 | Score Only - $0.00
Movements
Instrumentation
Player I: Marimba
Player II: Marimba
Player III: Marimba
Player IV: Marimba
Program Notes
Review
The "three phases" of this marimba quartet for college-level students (revealed in the titles to its three movements) are "distress," "melancholy" and "relief." The entire first movement is developed contrapuntally using an eight-note bass melody set in octaves and presented in fugue-like fashion. This eight-note "theme" is heard in various voices and guises (including inversions) throughout the movement. In the second movement, several chromatic motives are woven into a polyphonic fabric. The third movement features a two-bar ostinato and a lilting rhythm pattern set in 5/8 meter. The work is effectively scored, and should display the full tonal spectrum of the marimba ensemble. The publication contributes to the substantive literature for a genre that is not overburdened with good material. - John R. Raush, April 1997[1]
Errata
Awards
Commercial Discography
Recent Performances
To submit a performance please join the TEK Percussion Database
Works for Percussion by this Composer
- REDIRECT Template:Cirone, Anthony Works
Additional Resources
References