Difference between revisions of "Node 111"

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[[Image:changethistothecomposername.jpg|right|thumb|250px|Composer Name]]
 
[[Image:changethistothecomposername.jpg|right|thumb|250px|Composer Name]]
[[Paul Bissell]]
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[[Sarah Weaver]]
  
 
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== General Info ==
 
== General Info ==
  
'''Year''': 19 <br /-->
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'''Year''': 2011 <br /-->
'''Duration''':  c. :00 <br /-->
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'''Duration''':  c. <br /-->
 
'''Difficulty''':  (see [[Ratings]] for explanation)<br /-->
 
'''Difficulty''':  (see [[Ratings]] for explanation)<br /-->
'''Publisher''': [[Go Fish Music]]<br /-->
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'''Publisher''': [[Sarah Weaver Publications]]<br /-->
 
'''Cost''': Score and Parts - $0.00  &nbsp;&nbsp;|&nbsp;&nbsp; Score Only - $0.00<br /-->
 
'''Cost''': Score and Parts - $0.00  &nbsp;&nbsp;|&nbsp;&nbsp; Score Only - $0.00<br /-->
  
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== Instrumentation ==
 
== Instrumentation ==
Player I: <br>
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[[Multiple Percussion]]<br>
Player II: <br>
 
Player III: <br>
 
Player IV: <br>
 
Player V: <br>
 
Player VI: <br>
 
 
 
[[Flute]]<br>
 
  
  
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== Program Notes ==
 
== Program Notes ==
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Node 111 is based on nodality in music and spectral multiplicity of self. Nodes are applied as points of multiple layers of intersections that are heard together in time. In section 1, the impulse sounds are an extension of ‘111’ and the nodes expand and contract within the event set. In section 2, a kind of displaced, staggered music alliteration is applied. Alliteration in poetry is the use of the same letter or sound in the beginning of consecutive words, such as ‘light’ ‘link’. This concept is implemented in the beginning, middle, or end of the musical phrases. Section 3 is a modular node ascension process, culminating in a resultant whole.<ref>http://sarahweaver.org/node_111/</ref>
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Premiered April 23, 2011 for "Telematic Transform Music" at New York University, University of California San Diego, University of California Irvine, Concordia University Montreal, University of Washington.
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Soloist: Gerry Hemingway, percussionist
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== Errata ==
 
== Errata ==
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== Works for Percussion by this Composer ==
 
== Works for Percussion by this Composer ==
{{Bissell, Paul Works}}
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{{Weaver, Sarah Works}}
 
<br />
 
<br />
  

Latest revision as of 19:31, 6 September 2013

Sarah Weaver


General Info

Year: 2011
Duration: c.
Difficulty: (see Ratings for explanation)
Publisher: Sarah Weaver Publications
Cost: Score and Parts - $0.00   |   Score Only - $0.00

Movements

Instrumentation

Multiple Percussion


Program Notes

Node 111 is based on nodality in music and spectral multiplicity of self. Nodes are applied as points of multiple layers of intersections that are heard together in time. In section 1, the impulse sounds are an extension of ‘111’ and the nodes expand and contract within the event set. In section 2, a kind of displaced, staggered music alliteration is applied. Alliteration in poetry is the use of the same letter or sound in the beginning of consecutive words, such as ‘light’ ‘link’. This concept is implemented in the beginning, middle, or end of the musical phrases. Section 3 is a modular node ascension process, culminating in a resultant whole.[1]


Premiered April 23, 2011 for "Telematic Transform Music" at New York University, University of California San Diego, University of California Irvine, Concordia University Montreal, University of Washington. Soloist: Gerry Hemingway, percussionist


Errata

Awards

Commercial Discography

Recent Performances

To submit a performance please join the TEK Percussion Database


Works for Percussion by this Composer

Node 111 - Multiple Percussion


Additional Resources



References