Difference between revisions of "Node 111"
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[[Image:changethistothecomposername.jpg|right|thumb|250px|Composer Name]] | [[Image:changethistothecomposername.jpg|right|thumb|250px|Composer Name]] | ||
− | [[ | + | [[Sarah Weaver]] |
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== General Info == | == General Info == | ||
− | '''Year''': | + | '''Year''': 2011 <br /--> |
'''Duration''': c. :00 <br /--> | '''Duration''': c. :00 <br /--> | ||
'''Difficulty''': (see [[Ratings]] for explanation)<br /--> | '''Difficulty''': (see [[Ratings]] for explanation)<br /--> | ||
− | '''Publisher''': [[ | + | '''Publisher''': [[Sarah Weaver Publications]]<br /--> |
'''Cost''': Score and Parts - $0.00 | Score Only - $0.00<br /--> | '''Cost''': Score and Parts - $0.00 | Score Only - $0.00<br /--> | ||
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== Instrumentation == | == Instrumentation == | ||
− | + | [[Multiple Percussion]]<br> | |
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== Program Notes == | == Program Notes == | ||
+ | Node 111 is based on nodality in music and spectral multiplicity of self. Nodes are applied as points of multiple layers of intersections that are heard together in time. In section 1, the impulse sounds are an extension of ‘111’ and the nodes expand and contract within the event set. In section 2, a kind of displaced, staggered music alliteration is applied. Alliteration in poetry is the use of the same letter or sound in the beginning of consecutive words, such as ‘light’ ‘link’. This concept is implemented in the beginning, middle, or end of the musical phrases. Section 3 is a modular node ascension process, culminating in a resultant whole.<ref>http://sarahweaver.org/node_111/</ref> | ||
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+ | Premiered April 23, 2011 for "Telematic Transform Music" at New York University, University of California San Diego, University of California Irvine, Concordia University Montreal, University of Washington. | ||
+ | Soloist: Gerry Hemingway, percussionist | ||
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== Errata == | == Errata == |
Revision as of 19:27, 6 September 2013
General Info
Year: 2011
Duration: c. :00
Difficulty: (see Ratings for explanation)
Publisher: Sarah Weaver Publications
Cost: Score and Parts - $0.00 | Score Only - $0.00
Movements
Instrumentation
Program Notes
Node 111 is based on nodality in music and spectral multiplicity of self. Nodes are applied as points of multiple layers of intersections that are heard together in time. In section 1, the impulse sounds are an extension of ‘111’ and the nodes expand and contract within the event set. In section 2, a kind of displaced, staggered music alliteration is applied. Alliteration in poetry is the use of the same letter or sound in the beginning of consecutive words, such as ‘light’ ‘link’. This concept is implemented in the beginning, middle, or end of the musical phrases. Section 3 is a modular node ascension process, culminating in a resultant whole.[1]
Premiered April 23, 2011 for "Telematic Transform Music" at New York University, University of California San Diego, University of California Irvine, Concordia University Montreal, University of Washington.
Soloist: Gerry Hemingway, percussionist
Errata
Awards
Commercial Discography
Recent Performances
To submit a performance please join the TEK Percussion Database
Works for Percussion by this Composer
The Alabados Song - Marimba; with Tape
The Alabados Song (Percussion Ens. Ver.) - Marimba; Percussion Octet
The Alabados Song (Wind Ens. Ver.) - Marimba; Wind Ensemble
Archipelago - Multiple Percussion; Flute
The Butterfly - Marimba
Equal Fire - Percussion Sextet
Hangar 84 - Marimba; with Tape
Monster Mudder Truck Pull - Percussion Trio
The Three Hoaxes - Marimba; Clarinet, Cello
Waltz On Themes by Carcassi - Marimba
Additional Resources
References