Sonata No. 1 for Timpani and Piano - Revision history

Admin: Text replacement - "Year of Published" to "Year"

2026-09-03T06:34:26Z

Text replacement - "Year of Published" to "Year"

← Older revision		Revision as of 02:34, 3 September 2026
Line 1:		Line 1:
	[[Anthony Cirone]]		[[Anthony Cirone]]
	== General Info ==		== General Info ==
	'''Year ~~of Published~~''': 1965<br /-->		'''Year''': 1965<br /-->
	'''Publisher''': [[Meredith Music]]<br /-->		'''Publisher''': [[Meredith Music]]<br /-->
	'''Difficulty''': (see [[Ratings]] for explanation)<br /-->		'''Difficulty''': (see [[Ratings]] for explanation)<br /-->

Rubyng2004: /* Works for Percussion by this Composer */

2026-08-23T11:07:25Z

Works for Percussion by this Composer

← Older revision		Revision as of 07:07, 23 August 2026
Line 47:		Line 47:

	== Works for Percussion by this Composer ==		== Works for Percussion by this Composer ==
	{{Cirone Anthony}}<br/>		{{Cirone, Anthony Works}}<br/>

	== Additional Resources ==		== Additional Resources ==

Rubyng2004 at 11:07, 23 August 2026

2026-08-23T11:07:03Z

← Older revision		Revision as of 07:07, 23 August 2026
Line 1:		Line 1:
	~~[[Image:changethistothecomposername.jpg\|right\|thumb\|250px\|Composer Name]]~~
	[[Anthony Cirone]]		[[Anthony Cirone]]

	~~<!-- fill in the name of the file (it can be a .jpg or a .gif) as well as the composer's name in the fields above. You may delete this text once this is done.-->~~


	== General Info ==		== General Info ==
			'''Year of Published''': 1965<br /-->
	'''Year''': 1965<br /-->		'''Publisher''': [[Meredith Music]]<br /-->
	'''~~Duration~~''': ~~c. 6:30~~<br /-->
	'''Difficulty''': (see [[Ratings]] for explanation)<br /-->		'''Difficulty''': (see [[Ratings]] for explanation)<br /-->
	'''~~Publisher~~''': ~~[[Meredith]]~~<br /-->		'''Duration''': 00:06:30<br /-->
	'''Cost''': Score and Parts - $0.00   \|   Score Only - $0.00<br /-->		'''Cost''': Score and Parts - $0.00   \|   Score Only - $0.00<br /-->

	== Instrumentation ==		== Instrumentation ==
	[[Timpani]] (4 Drums)<br>		Player 1: [[Timpani]] (4 Drums)<br>
			Player 2: [[Piano]]<br>
	[[Piano]]<br>

	~~<!--for copying and pasting~~
	~~Player I: <br>~~
	~~Player II: <br>~~
	~~Player III: <br>~~
	~~Player IV: <br>~~
	~~Player V: <br>~~
	~~Player VI: <br>~~
	~~Player VII: <br>~~
	~~Player VIII: <br> --~~>

	== Program Notes ==		== Program Notes ==
Line 65:		Line 48:
	== Works for Percussion by this Composer ==		== Works for Percussion by this Composer ==
	{{Cirone Anthony}}<br/>		{{Cirone Anthony}}<br/>



	~~<!-- Enter the composer's other works for percussion. You may delete this text once this is done.~~
	~~ie: {{Becerra-Schmidt, Gustavo Works}} -->~~

	== Additional Resources ==		== Additional Resources ==
Line 85:		Line 63:
	<br />		<br />

	[[Category:~~Template~~]]		[[Category: Solo Works]]
			[[Category: Timpani Works]]
			[[Category: Piano Works]]
			[[Category: Sonata Works]]

	~~<!-- Don't forget to add categories, literature, instruments, history, pedagogy, sticks, etc. Also delete the Template category. To see what categories are available, see~~: ~~http://www.tekpercussion.com/Special:Categories -->~~
	~~<!-- Don't forget to add categories, such as overtures, symphonies, etc., and also add the grade of the work. -->~~

Ssperc2026: /* Movements */

2026-07-01T07:34:24Z

Movements

← Older revision		Revision as of 03:34, 1 July 2026
Line 12:		Line 12:
	'''Publisher''': [[Meredith]]<br /-->		'''Publisher''': [[Meredith]]<br /-->
	'''Cost''': Score and Parts - $0.00   \|   Score Only - $0.00<br /-->		'''Cost''': Score and Parts - $0.00   \|   Score Only - $0.00<br /-->

	~~==Movements==~~

	<!-- Enter the title and duration of individual movements. Make sure the movements are listed by number, and use a line break <nowiki>( <br /> )</nowiki> at the end of each line. If this is a single movement work, please delete the entire category. You may delete this text once this is done. -->


	== Instrumentation ==		== Instrumentation ==

Ssperc2026: /* Instrumentation */

2026-07-01T07:18:05Z

Instrumentation

← Older revision		Revision as of 03:18, 1 July 2026
Line 19:		Line 19:

	== Instrumentation ==		== Instrumentation ==
	[[Timpani]] <br>		[[Timpani]] (4 Drums)<br>

	[[Piano]]<br>		[[Piano]]<br>

S03625411: S03625411 moved page Sonata No.1 for Timpani and Piano to Sonata No. 1 for Timpani and Piano

2021-10-04T04:23:12Z

S03625411 moved page Sonata No.1 for Timpani and Piano to Sonata No. 1 for Timpani and Piano

← Older revision	Revision as of 00:23, 4 October 2021
(No difference)

Admin: /* Program Notes */

2013-11-17T05:30:42Z

Program Notes

← Older revision		Revision as of 01:30, 17 November 2013
Line 36:		Line 36:
	(note: available CPP/Belwin as a collection titled "Four Sonatas for Percussion")		(note: available CPP/Belwin as a collection titled "Four Sonatas for Percussion")

	Sonata #1 was ~~composed in 1970~~ after ~~Cirone completed~~ six years of intensive study with Saul Goodman.		Sonata #1 was completed after six years of intensive study with Saul Goodman.

	The piano opens the work with a Maestoso statement; it sets the tone for the introduction, and is immediately followed by a similar statement on timpani.		The piano opens the work with a Maestoso statement; it sets the tone for the introduction, and is immediately followed by a similar statement on timpani.

Admin: /* Program Notes */

2013-11-17T05:25:34Z

Program Notes

← Older revision		Revision as of 01:25, 17 November 2013
Line 35:		Line 35:
	== Program Notes ==		== Program Notes ==
	(note: available CPP/Belwin as a collection titled "Four Sonatas for Percussion")		(note: available CPP/Belwin as a collection titled "Four Sonatas for Percussion")

			Sonata #1 was composed in 1970 after Cirone completed six years of intensive study with Saul Goodman.

			The piano opens the work with a Maestoso statement; it sets the tone for the introduction, and is immediately followed by a similar statement on timpani.

			The Allegro agitato is a fanciful romp through mixed meters; however, the compound harmonies in the piano ass a complexity to the music. The Allegro becomes slower an heavier as the piano and timpani trade off as soloist and accompanist.

			The unison rhythms in the last segment of the Sonata represent a wish that some day we may be one with the master in greatnesses- but, for most, it is only a dream, because Saul Goodman will always be the ultimate virtuoso.

			-Anthony J. Cirone<ref>http://www.steveweissmusic.com/product/5446/timpani-accompaniment#full-description</ref>

	=== Review ===		=== Review ===
	The Sonata No. 1 has a piano accompaniment. The interest within the first movement, with the timpani tuned to a major triad, lies in the changing meter, dynamic structure, and accents in the timpani part and the piano chord structure. The second movement, which is very expressive, features tuning changes while rolling on two drums. The writer prefers to use a multiple bounce roll in this movement. The third movement is energetically driving with timpani and piano both emphasizing melodic leaping. Counting must be precise for both instruments to integrate. The first movement of the Sonata No. 2 consists of two declamatory passages interspersed between rapidly moving, toccata-like passages. The second movement, which involves considerable tuning changes, has a sweet, lyrical quality. The third movement, which is fun to play and hear, includes both "out of kelter" meters and some quick tuning changes. The Sonata No. 3 explores the wide expanse of a major ninth interval and the tones in the center of this interval. The resultant chordal structures developed upon are fourths, fifths, tritones, etc. The outer notes tend to serve as pedal points with the middle tones employed in melodic patterns. The third movement contains many quick meter changes. As noted above, the Sonata No. 1 contains piano accompaniment. The other two are unaccompanied solos. The printing is clear and well-spaced. Interpretive markings are well planned and detailed. Tunings are not changed between movements, which gives a better sense of continuity to the audience. The writer would prefer accidental markings to be included as a key signature. These three works are well within the grasp of the proficient high school student and are worthy of the attention of the college percussion major. - Linda Pimentel, Winter 1978<ref>[http://www.pas.org PAS.ORG]</ref>		The Sonata No. 1 has a piano accompaniment. The interest within the first movement, with the timpani tuned to a major triad, lies in the changing meter, dynamic structure, and accents in the timpani part and the piano chord structure. The second movement, which is very expressive, features tuning changes while rolling on two drums. The writer prefers to use a multiple bounce roll in this movement. The third movement is energetically driving with timpani and piano both emphasizing melodic leaping. Counting must be precise for both instruments to integrate. The first movement of the Sonata No. 2 consists of two declamatory passages interspersed between rapidly moving, toccata-like passages. The second movement, which involves considerable tuning changes, has a sweet, lyrical quality. The third movement, which is fun to play and hear, includes both "out of kelter" meters and some quick tuning changes. The Sonata No. 3 explores the wide expanse of a major ninth interval and the tones in the center of this interval. The resultant chordal structures developed upon are fourths, fifths, tritones, etc. The outer notes tend to serve as pedal points with the middle tones employed in melodic patterns. The third movement contains many quick meter changes. As noted above, the Sonata No. 1 contains piano accompaniment. The other two are unaccompanied solos. The printing is clear and well-spaced. Interpretive markings are well planned and detailed. Tunings are not changed between movements, which gives a better sense of continuity to the audience. The writer would prefer accidental markings to be included as a key signature. These three works are well within the grasp of the proficient high school student and are worthy of the attention of the college percussion major. - Linda Pimentel, Winter 1978<ref>[http://www.pas.org PAS.ORG]</ref>


	== Errata ==		== Errata ==

Admin at 05:21, 17 November 2013

2013-11-17T05:21:50Z

← Older revision		Revision as of 01:21, 17 November 2013
Line 7:		Line 7:
	== General Info ==		== General Info ==

	'''Year''': <br /-->		'''Year''': 1965<br /-->
	'''Duration''': c. 3:00<br /-->		'''Duration''': c. 6:30<br /-->
	'''Difficulty''': (see [[Ratings]] for explanation)<br /-->		'''Difficulty''': (see [[Ratings]] for explanation)<br /-->
	'''Publisher''': [[~~CPP/Belwin~~]]<br /-->		'''Publisher''': [[Meredith]]<br /-->
	'''Cost''': Score and Parts - $0.00   \|   Score Only - $0.00<br /-->		'''Cost''': Score and Parts - $0.00   \|   Score Only - $0.00<br /-->

Line 19:		Line 19:

	== Instrumentation ==		== Instrumentation ==
	[[~~Multiple Percussion~~]] <br>		[[Timpani]] <br>

	[[Piano]]<br>		[[Piano]]<br>
Line 34:		Line 34:

	== Program Notes ==		== Program Notes ==
			(note: available CPP/Belwin as a collection titled "Four Sonatas for Percussion")

			=== Review ===
			The Sonata No. 1 has a piano accompaniment. The interest within the first movement, with the timpani tuned to a major triad, lies in the changing meter, dynamic structure, and accents in the timpani part and the piano chord structure. The second movement, which is very expressive, features tuning changes while rolling on two drums. The writer prefers to use a multiple bounce roll in this movement. The third movement is energetically driving with timpani and piano both emphasizing melodic leaping. Counting must be precise for both instruments to integrate. The first movement of the Sonata No. 2 consists of two declamatory passages interspersed between rapidly moving, toccata-like passages. The second movement, which involves considerable tuning changes, has a sweet, lyrical quality. The third movement, which is fun to play and hear, includes both "out of kelter" meters and some quick tuning changes. The Sonata No. 3 explores the wide expanse of a major ninth interval and the tones in the center of this interval. The resultant chordal structures developed upon are fourths, fifths, tritones, etc. The outer notes tend to serve as pedal points with the middle tones employed in melodic patterns. The third movement contains many quick meter changes. As noted above, the Sonata No. 1 contains piano accompaniment. The other two are unaccompanied solos. The printing is clear and well-spaced. Interpretive markings are well planned and detailed. Tunings are not changed between movements, which gives a better sense of continuity to the audience. The writer would prefer accidental markings to be included as a key signature. These three works are well within the grasp of the proficient high school student and are worthy of the attention of the college percussion major. - Linda Pimentel, Winter 1978<ref>[http://www.pas.org PAS.ORG]</ref>

Admin: Replaced content with "{{subst:WorksTF}}"

2013-11-17T05:19:59Z

Replaced content with "{{subst:WorksTF}}"

← Older revision		Revision as of 01:19, 17 November 2013
Line 7:		Line 7:
	== General Info ==		== General Info ==

	'''Year''': 19 <br /-->		'''Year''': <br /-->
	'''Duration''': c. <br /-->		'''Duration''': c. 3:00<br /-->
	'''Difficulty''': (see [[Ratings]] for explanation)<br /-->		'''Difficulty''': (see [[Ratings]] for explanation)<br /-->
	'''Publisher''': CPP/Belwin<br /-->		'''Publisher''': [[CPP/Belwin]]<br /-->
	'''Cost''': Score and Parts - $0.00   \|   Score Only - $0.00<br /-->		'''Cost''': Score and Parts - $0.00   \|   Score Only - $0.00<br /-->

	==Movements==		==Movements==
Line 19:		Line 19:

	== Instrumentation ==		== Instrumentation ==
			[[Multiple Percussion]] <br>

	~~Player I:~~ <br/>		[[Piano]]<br>
	~~Player II: <br/>~~
	~~Player III: <br/>~~
	~~Player IV: <br/>~~
	~~Player V: <br/>~~
	~~Player VI: <br/~~>

	<!-- Enter ~~any awards this composition may have won~~. If there ~~are~~ none, ~~then delete the entire category.~~ You may delete this text once this is done.-->		<!--for copying and pasting
			Player I: <br>
			Player II: <br>
			Player III: <br>
			Player IV: <br>
			Player V: <br>
			Player VI: <br>
			Player VII: <br>
			Player VIII: <br> -->

			== Program Notes ==


			== Errata ==

			<!-- Enter errata...if there is none, enter this: {{none}} You may delete this text once this is done.-->

			== Awards ==

			<!-- Enter any awards this composition may have won. If there are none, then delete the entire category. You may delete this text once this is done.-->
	== Commercial Discography==		== Commercial Discography==

Line 43:		Line 56:

	== Works for Percussion by this Composer ==		== Works for Percussion by this Composer ==
			{{Cirone Anthony}}<br/>


	~~{{Cirone Anthony}}<br/>~~

	<!-- Enter the composer's other works for percussion. You may delete this text once this is done.		<!-- Enter the composer's other works for percussion. You may delete this text once this is done.
	ie: {{~~Brand~~, ~~Morris~~ Works}} -->		ie: {{Becerra-Schmidt, Gustavo Works}} -->

	== Additional Resources ==		== Additional Resources ==
Line 56:		Line 70:
	<br /-->		<br /-->

			== References ==
			<references/>
			<!-- Enter any resources...if there are none, enter this: {{none}} -->

			<br />
			<br />

	[[Category:Template]]		[[Category:Template]]