Ogoun Badagris - Revision history

https://tekpercussion.com//index.php?action=history&feed=atom&title=Ogoun_Badagris Ogoun Badagris - Revision history 2026-04-25T11:23:33Z Revision history for this page on the wiki MediaWiki 1.39.17 https://tekpercussion.com//index.php?title=Ogoun_Badagris&diff=34657&oldid=prev Admin at 03:55, 24 April 2019 2019-04-24T03:55:07Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 23:55, 23 April 2019</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l34">Line 34:</td> <td colspan="2" class="diff-lineno">Line 34:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Ogoun Badagris derives its inspiration from Haitian drumming patters, particularly those of the Juba Dance. Hence, it seemed logical to tie in the work with various aspects of Voodoo ritual. Ogoun Badagris is one of the most terrible and violent of all Voodoo loas (deities) and he can be appeased only by human blood sacrifice. This work may thus be interpreted as a dance of appeasement. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Ogoun Badagris derives its inspiration from Haitian drumming patters, particularly those of the Juba Dance. Hence, it seemed logical to tie in the work with various aspects of Voodoo ritual. Ogoun Badagris is one of the most terrible and violent of all Voodoo loas (deities) and he can be appeased only by human blood sacrifice. This work may thus be interpreted as a dance of appeasement. </div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The four conga drums often act as the focal point in the work and can be compared with the role of the four <del style="font-weight: bold; text-decoration: none;">mast </del>basic drums in the Voodoo religion - the Be-be, the Seconde, the Maman, and the Asator. The metal plates and the sleighbells are to a certain extent parallels of the Haitian Ogan. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The four conga drums often act as the focal point in the work and can be compared with the role of the four <ins style="font-weight: bold; text-decoration: none;">most </ins>basic drums in the Voodoo religion - the Be-be, the Seconde, the Maman, and the Asator. The metal plates and the sleighbells are to a certain extent parallels of the Haitian Ogan. </div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The work begins with a brief action de grace, a ceremonial call-to-action in which the high priest shakes the giant rattle known as the Asson, here replaced by the Cabasa. Then the principal dance begins, a grouillére: this is a highly erotic and even brutally sexual ceremonial dance which in turn is succeeded by the Danse Vaudou at the point at which demonic possession occurs. The word “reler”, which the performers must shriek at the conclusion of the work, is the Voodoo equivalent of the Judaeo-Christian Amen.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The work begins with a brief action de grace, a ceremonial call-to-action in which the high priest shakes the giant rattle known as the Asson, here replaced by the Cabasa. Then the principal dance begins, a grouillére: this is a highly erotic and even brutally sexual ceremonial dance which in turn is succeeded by the Danse Vaudou at the point at which demonic possession occurs. The word “reler”, which the performers must shriek at the conclusion of the work, is the Voodoo equivalent of the Judaeo-Christian Amen.</div></td></tr> </table>

Admin https://tekpercussion.com//index.php?title=Ogoun_Badagris&diff=32955&oldid=prev Admin at 19:41, 17 July 2018 2018-07-17T19:41:44Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 15:41, 17 July 2018</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l85">Line 85:</td> <td colspan="2" class="diff-lineno">Line 85:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br /></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br /></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Category:<del style="font-weight: bold; text-decoration: none;">Template</del>]]</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Category:<ins style="font-weight: bold; text-decoration: none;">Percussion Ensemble Works]]</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Category:Percussion Quintet Works</ins>]]</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr> </table>

Admin https://tekpercussion.com//index.php?title=Ogoun_Badagris&diff=28896&oldid=prev Admin: Created page with "Christopher Rouse <!-- fill in the name of the file (it can be a .jpg or a .gif) as well as the composer's name in the fields above. You may delete this text once this is..." 2016-04-17T21:53:36Z

<p>Created page with "<a href="/index.php?title=Christopher_Rouse" class="mw-redirect" title="Christopher Rouse">Christopher Rouse</a> <br /> <br /> <br /> == General Info ==<br /> <br /> '''Year''': 1976<br /--><br /> '''Duration''': c. 5:00 <br /--><br /> '''Difficulty''': (see [[Ratings]] for explanation)<br /--><br /> '''Publisher''': [[Helicon]]<br /--><br /> '''Cost''': Score and Parts - $0.00 &nbsp;&nbsp;|&nbsp;&nbsp; Score Only - $0.00<br /--><br /> <br /> == Instrumentation ==<br /> Player I: <br> <br /> Player II: <br> <br /> Player III: <br> <br /> Player IV: <br> <br /> Player V: <br> <br /> <br /> <br /> <br /> <br /> <br /> == Program Notes ==<br /> Ogoun Badagris derives its inspiration from Haitian drumming patters, particularly those of the Juba Dance. Hence, it seemed logical to tie in the work with various aspects of Voodoo ritual. Ogoun Badagris is one of the most terrible and violent of all Voodoo loas (deities) and he can be appeased only by human blood sacrifice. This work may thus be interpreted as a dance of appeasement. <br /> <br /> The four conga drums often act as the focal point in the work and can be compared with the role of the four mast basic drums in the Voodoo religion - the Be-be, the Seconde, the Maman, and the Asator. The metal plates and the sleighbells are to a certain extent parallels of the Haitian Ogan. <br /> <br /> The work begins with a brief action de grace, a ceremonial call-to-action in which the high priest shakes the giant rattle known as the Asson, here replaced by the Cabasa. Then the principal dance begins, a grouillére: this is a highly erotic and even brutally sexual ceremonial dance which in turn is succeeded by the Danse Vaudou at the point at which demonic possession occurs. The word “reler”, which the performers must shriek at the conclusion of the work, is the Voodoo equivalent of the Judaeo-Christian Amen.<br /> <br /> <br /> <br /> === Review ===<br /> <br /> == Errata ==<br /> <br /> <br /> <br /> == Awards ==<br /> <br /> <br /> == Commercial Discography==<br /> <br /> ===Online Recordings===<br /> <br /> <br /> <br /> <br /> ==Recent Performances==<br /> <br /> {{performances}}<br /> <br /> <br /> <br /> <br /> == Works for Percussion by this Composer ==<br /> {{Rouse, Christopher Works}}<br><br /> <br /> <br /> <br /> <br /> <br /> == Additional Resources ==<br /> <br /> <br /> <br /> <br /--><br /> <br /--><br /> <br /> == References ==<br /> <references/><br /> <br /> <br /> <br /><br /> <br /><br /> <br /> [[Category:Template]]<br /> <br /> <br /> <br /> <br /> <br /> </div>

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