Divertimento for Violoncello and Percussion - Revision history

https://tekpercussion.com//index.php?action=history&feed=atom&title=Divertimento_for_Violoncello_and_Percussion Divertimento for Violoncello and Percussion - Revision history 2026-06-29T08:28:07Z Revision history for this page on the wiki MediaWiki 1.39.17 https://tekpercussion.com//index.php?title=Divertimento_for_Violoncello_and_Percussion&diff=40449&oldid=prev 123456: /* References */ 2022-04-28T09:00:43Z

<p><span dir="auto"><span class="autocomment">References</span></span></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 05:00, 28 April 2022</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l97">Line 97:</td> <td colspan="2" class="diff-lineno">Line 97:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br /></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br /></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Category:<del style="font-weight: bold; text-decoration: none;">Template</del>]]</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Category: <ins style="font-weight: bold; text-decoration: none;">Multiple Percussion Works</ins>]]</div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Category: Cello Works]]</ins></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr> </table>

123456 https://tekpercussion.com//index.php?title=Divertimento_for_Violoncello_and_Percussion&diff=26750&oldid=prev Admin: /* Review */ 2015-05-23T05:19:39Z

<p><span dir="auto"><span class="autocomment">Review</span></span></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 01:19, 23 May 2015</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l46">Line 46:</td> <td colspan="2" class="diff-lineno">Line 46:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>“Ms. Fine…made contrast prevail in this piece. While the ‘cello plays fluid, lyric lines, the percussion section emits tense, rhythmically complex statements. Yet there was much more than rhythmicized sound. The different instruments lent variety to both texture and pitch. The piece was played twice, and the second time order within the complexity became more apparent. The audience was enthusiastic.”<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>“Ms. Fine…made contrast prevail in this piece. While the ‘cello plays fluid, lyric lines, the percussion section emits tense, rhythmically complex statements. Yet there was much more than rhythmicized sound. The different instruments lent variety to both texture and pitch. The piece was played twice, and the second time order within the complexity became more apparent. The audience was enthusiastic.”<br></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>–Constance Mersel, Poughkeepsie Journal, November 1, 1962<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>–Constance Mersel, Poughkeepsie Journal, November 1, 1962<br></div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"> </del><br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><br></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>“…A lively duet for an unlikely combination…”<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>“…A lively duet for an unlikely combination…”<br></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>–Raymond Ericson, The New York Times, May 17, 1972<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>–Raymond Ericson, The New York Times, May 17, 1972<br></div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"> </del><br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><br></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>“More impressive was Vivian Fine’s brief but bright Divertimento for Violoncello and Percussion….”<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>“More impressive was Vivian Fine’s brief but bright Divertimento for Violoncello and Percussion….”<br></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>–Milton Berliner, The Washington Daily News, January 9, 1964<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>–Milton Berliner, The Washington Daily News, January 9, 1964<br></div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"> </del><br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><br></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>“…involved the soloist in some astounding gymnastics; it was indeed quite diverting—both to the eye and the ear….”<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>“…involved the soloist in some astounding gymnastics; it was indeed quite diverting—both to the eye and the ear….”<br></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>–Irving Lowens, The Washington Evening Star, June 9, 1964<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>–Irving Lowens, The Washington Evening Star, June 9, 1964<br></div></td></tr> </table>

Admin https://tekpercussion.com//index.php?title=Divertimento_for_Violoncello_and_Percussion&diff=26749&oldid=prev Admin: Created page with "Vivian Fine <!-- fill in the name of the file (it can be a .jpg or a .gif) as well as the composer's name in the fields above. You may delete this text once this is done...." 2015-05-23T05:19:01Z

<p>Created page with "<a href="/index.php?title=Vivian_Fine" class="mw-redirect" title="Vivian Fine">Vivian Fine</a> <br /> <br /> <br /> == General Info ==<br /> <br /> '''Year''': 1951<br /--><br /> '''Duration''': c. 5:00 <br /--><br /> '''Difficulty''': (see [[Ratings]] for explanation)<br /--><br /> '''Publisher''': [[Catamount/Scarecrow Press]]<br /--><br /> '''Cost''': Score and Parts - $0.00 &nbsp;&nbsp;|&nbsp;&nbsp; Score Only - $0.00<br /--><br /> <br /> <br /> <br /> <br /> <br /> == Instrumentation ==<br /> [[multi-percussion]]: [[timpani]](4), [[suspended cymbal]], [[wood block]], [[tambourine]], [[snare drum]]<br><br /> [[Cello]]<br><br /> <br /> <br /> <br /> <br /> <br /> == Program Notes ==<br /> Premiere: August 19, 1962, Storm King Art Center, Mountainville, New York; Sterling Hunkins, cello and James Coover, percussion<br><br /> <br><br /> The Divertimento was written in 1951 and has been widely performed. It was originally written for a percussionist and his cellist wife. They were taken aback by the idiom—perhaps expecting something “typical” for cello and drumming—and never performed the work. The dramatic dialogue between the players contrasts the linear quality of the cello with the more varied sounds of percussion.<br /> –Vivian Fine<br /> <br /> The Divertimento divides into four sections forming a loose ABA pattern. The A material is an active cello melody displaying Fine’s penchant for writing a well-articulated but tonally free line. The percussion is heard as an accompaniment. The B sections place more emphasis on the percussion, sometimes creating duets between the ensemble and cello or isolating individual colors, such as timpani and cello.<br /> <br /> Fine’s reuse of material is always clever, and like in her earlier music, avoids exact repetition. For example, the cello’s beginning pitches…become a playful four-measure elaboration during measures 110-114, delaying the return of the original melody, which has a new percussion accompaniment. –Heidi Von Gunden, The Music of Vivian Fine, Scarecrow Press, 1999<ref>http://www.vivianfine.org/main/compositions.htm</ref><br /> <br /> <br /> === Review ===<br /> “Ms. Fine…made contrast prevail in this piece. While the ‘cello plays fluid, lyric lines, the percussion section emits tense, rhythmically complex statements. Yet there was much more than rhythmicized sound. The different instruments lent variety to both texture and pitch. The piece was played twice, and the second time order within the complexity became more apparent. The audience was enthusiastic.”<br><br /> –Constance Mersel, Poughkeepsie Journal, November 1, 1962<br><br /> <br><br /> “…A lively duet for an unlikely combination…”<br><br /> –Raymond Ericson, The New York Times, May 17, 1972<br><br /> <br><br /> “More impressive was Vivian Fine’s brief but bright Divertimento for Violoncello and Percussion….”<br><br /> –Milton Berliner, The Washington Daily News, January 9, 1964<br><br /> <br><br /> “…involved the soloist in some astounding gymnastics; it was indeed quite diverting—both to the eye and the ear….”<br><br /> –Irving Lowens, The Washington Evening Star, June 9, 1964<br><br /> <br /> == Errata ==<br /> <br /> <br /> <br /> == Awards ==<br /> <br /> <br /> == Commercial Discography==<br /> <br /> <br /> <br /> <br /> ==Recent Performances==<br /> <br /> {{performances}}<br /> <br /> <br /> <br /> <br /> == Works for Percussion by this Composer ==<br /> {{Fine, Vivian Works}}<br><br /> <br /> <br /> <br /> <br /> <br /> == Additional Resources ==<br /> <br /> <br /> <br /> <br /--><br /> <br /--><br /> <br /> == References ==<br /> <references/><br /> <br /> <br /> <br /><br /> <br /><br /> <br /> [[Category:Template]]<br /> <br /> <br /> <br /> <br /> <br /> </div>

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