DNA - Revision history

Admin at 06:42, 17 January 2019

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	== Works for Percussion by this Composer ==		== Works for Percussion by this Composer ==
	{{~~Moore~~, ~~Joe W.~~ Works}}<br>		{{Tower, Joan Works}}<br>

Admin at 06:42, 17 January 2019

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	<br />		<br />

	[[Category:~~Solo~~ Works]]		[[Category:Percussion Ensemble Works]]
	[[Category:~~Mallets Works]]~~		[[Category:Percussion Quintet Works]]
	~~[[Category:Vibraphone~~ Works]]

Admin at 06:39, 17 January 2019

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	=== Review ===		=== Review ===
	Opening the disc in a wave of vibrant energy, Joan Tower’s DNA is high on impact<Br>		Opening the disc in a wave of vibrant energy, Joan Tower’s DNA is high on impact<Br>
	David Denton, David's Review Corner,01/06/2011		<I>David Denton, David's Review Corner,01/06/2011</I>

	Joan Tower’s DNA begins with silence, progresses to rhythms on bells and the symbol, and then adds wood blocks for timbre. The wood blocks present what could almost be called a theme, with a pentatonic-sounding pattern. Tower certainly has a good sense of timbre in her orchestration for percussion, perhaps the result of her having lived in South America as a child. This is a visceral piece, one in which the listener can truly feel the rhythms.<Br>		Joan Tower’s DNA begins with silence, progresses to rhythms on bells and the symbol, and then adds wood blocks for timbre. The wood blocks present what could almost be called a theme, with a pentatonic-sounding pattern. Tower certainly has a good sense of timbre in her orchestration for percussion, perhaps the result of her having lived in South America as a child. This is a visceral piece, one in which the listener can truly feel the rhythms.<Br>
	V. Vasan, Allmusic.com,01/06/2011		<I>V. Vasan, Allmusic.com,01/06/2011</I>

	...a tightly choreographed, texturally engaging work for percussion quintet<Br>		...a tightly choreographed, texturally engaging work for percussion quintet<Br>
	Allan Kozinn, The New York Times,09/05/2011		<I>Allan Kozinn, The New York Times,09/05/2011</I>

	Tower's love for sheer sound is further evident in DNA, in which five percussionists share delicate and thunderous patterns by brushing, tapping and striking an assortment of instruments. What results is no bangfest but a varied unfolding of glistening sonorities and rhythmic complexities.<Br>		Tower's love for sheer sound is further evident in DNA, in which five percussionists share delicate and thunderous patterns by brushing, tapping and striking an assortment of instruments. What results is no bangfest but a varied unfolding of glistening sonorities and rhythmic complexities.<Br>
	Donald Rosenberg, Cleveland Plain Dealer,01/01/0001		<I>Donald Rosenberg, Cleveland Plain Dealer,01/01/0001</I>

	== Errata ==		== Errata ==

Admin at 06:38, 17 January 2019

2019-01-17T06:38:55Z

← Older revision		Revision as of 02:38, 17 January 2019
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	=== Review ===		=== Review ===
	Opening the disc in a wave of vibrant energy, Joan Tower’s DNA is high on impact		Opening the disc in a wave of vibrant energy, Joan Tower’s DNA is high on impact<Br>
	David Denton, David's Review Corner,01/06/2011		David Denton, David's Review Corner,01/06/2011

	Joan Tower’s DNA begins with silence, progresses to rhythms on bells and the symbol, and then adds wood blocks for timbre. The wood blocks present what could almost be called a theme, with a pentatonic-sounding pattern. Tower certainly has a good sense of timbre in her orchestration for percussion, perhaps the result of her having lived in South America as a child. This is a visceral piece, one in which the listener can truly feel the rhythms.		Joan Tower’s DNA begins with silence, progresses to rhythms on bells and the symbol, and then adds wood blocks for timbre. The wood blocks present what could almost be called a theme, with a pentatonic-sounding pattern. Tower certainly has a good sense of timbre in her orchestration for percussion, perhaps the result of her having lived in South America as a child. This is a visceral piece, one in which the listener can truly feel the rhythms.<Br>
	V. Vasan, Allmusic.com,01/06/2011		V. Vasan, Allmusic.com,01/06/2011

	...a tightly choreographed, texturally engaging work for percussion quintet		...a tightly choreographed, texturally engaging work for percussion quintet<Br>
	Allan Kozinn, The New York Times,09/05/2011		Allan Kozinn, The New York Times,09/05/2011

	Tower's love for sheer sound is further evident in DNA, in which five percussionists share delicate and thunderous patterns by brushing, tapping and striking an assortment of instruments. What results is no bangfest but a varied unfolding of glistening sonorities and rhythmic complexities.		Tower's love for sheer sound is further evident in DNA, in which five percussionists share delicate and thunderous patterns by brushing, tapping and striking an assortment of instruments. What results is no bangfest but a varied unfolding of glistening sonorities and rhythmic complexities.<Br>
	Donald Rosenberg, Cleveland Plain Dealer,01/01/0001		Donald Rosenberg, Cleveland Plain Dealer,01/01/0001

Admin at 06:38, 17 January 2019

2019-01-17T06:38:27Z

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	[[~~Joe W. Moore III~~]]		[[Joan Tower]]

	<!-- fill in the name of the file (it can be a .jpg or a .gif) as well as the composer's name in the fields above. You may delete this text once this is done.-->		<!-- fill in the name of the file (it can be a .jpg or a .gif) as well as the composer's name in the fields above. You may delete this text once this is done.-->
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	== General Info ==		== General Info ==

	'''Year''': 20<br /-->		'''Year''': 2003<br /-->
	'''Duration''': c. <br /-->		'''Duration''': c. 9:00<br /-->
	'''Difficulty''': (see [[Ratings]] for explanation)<br /-->		'''Difficulty''': (see [[Ratings]] for explanation)<br /-->
	'''Publisher''': [[~~Manuscript~~]]<br /-->		'''Publisher''': [[AMP]]<br /-->
	'''Cost''': Score and Parts - $0.00   \|   Score Only - $0.00<br /-->		'''Cost''': Score and Parts - $0.00   \|   Score Only - $0.00<br /-->

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	== Instrumentation ==		== Instrumentation ==
	~~[[Vibraphone]]~~<br>		Player I: <br>
			Player II: <br>
			Player III: <br>
			Player IV: <br>
			Player V: <br>


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	== Program Notes ==		== Program Notes ==
			Bradford and Dorothea Endicott commissioned the ten-minute work DNA for Frank Epstein and the NEC Percussion Ensemble.

			The premiere performance took place on April 13, 2003 in Jordon Hall, at the New England Conservatory. Frank Epstein subsequently took the piece for performances to the Tanglewood Festival in July/August of 2003.

			DNA is written for percussion quintet as a way of capitalizing on the notion of DNA, and its role as the building block of all biological life. Deoxyribonucleic acid, as we know it chemically, is an elegant form, made up of double helixes and double strands in an endless spiraling ribbon. Using this feature as a starting point - the piece is built around pairs of instruments which are featured prominently throughout: high-hats, castanets, timbales, and snares appear in duos — and like the base pairs of DNA — conspire to make a whole work.

			The fifth percussionist is primarily a soloist, an outsider to the pairs — playing on temple blocks, tambourine and congas — until he joins them in passages of trios, quartets and quintets.

			Joan uses the basic concept of DNA in teaching all the time, when she is urging her students to find the "DNA," or building blocks of an idea for themselves.

			DNA is dedicated to Frank Epstein, who is a percussionist with the Boston Symphony Orchestra.

	=== Review ===		=== Review ===
			Opening the disc in a wave of vibrant energy, Joan Tower’s DNA is high on impact
			David Denton, David's Review Corner,01/06/2011

			Joan Tower’s DNA begins with silence, progresses to rhythms on bells and the symbol, and then adds wood blocks for timbre. The wood blocks present what could almost be called a theme, with a pentatonic-sounding pattern. Tower certainly has a good sense of timbre in her orchestration for percussion, perhaps the result of her having lived in South America as a child. This is a visceral piece, one in which the listener can truly feel the rhythms.
			V. Vasan, Allmusic.com,01/06/2011

			...a tightly choreographed, texturally engaging work for percussion quintet
			Allan Kozinn, The New York Times,09/05/2011

			Tower's love for sheer sound is further evident in DNA, in which five percussionists share delicate and thunderous patterns by brushing, tapping and striking an assortment of instruments. What results is no bangfest but a varied unfolding of glistening sonorities and rhythmic complexities.
			Donald Rosenberg, Cleveland Plain Dealer,01/01/0001

	== Errata ==		== Errata ==

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	[[~~Firstname Lastname~~]]		[[Joe W. Moore III]]

	<!-- fill in the name of the file (it can be a .jpg or a .gif) as well as the composer's name in the fields above. You may delete this text once this is done.-->		<!-- fill in the name of the file (it can be a .jpg or a .gif) as well as the composer's name in the fields above. You may delete this text once this is done.-->
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	'''Duration''': c. <br /-->		'''Duration''': c. <br /-->
	'''Difficulty''': (see [[Ratings]] for explanation)<br /-->		'''Difficulty''': (see [[Ratings]] for explanation)<br /-->
	'''Publisher''': [[~~Title Publisher~~]]<br /-->		'''Publisher''': [[Manuscript]]<br /-->
	'''Cost''': Score and Parts - $0.00   \|   Score Only - $0.00<br /-->		'''Cost''': Score and Parts - $0.00   \|   Score Only - $0.00<br /-->

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	== Instrumentation ==		== Instrumentation ==
			[[Vibraphone]]<br>


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	== Works for Percussion by this Composer ==		== Works for Percussion by this Composer ==
	{{~~Lastname~~, ~~Firstname~~ Works}}<br>		{{Moore, Joe W. Works}}<br>


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	[[Category:~~Template~~]]		[[Category:Solo Works]]
			[[Category:Mallets Works]]
			[[Category:Vibraphone Works]]

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[[Firstname Lastname]]



== General Info ==

'''Year''': 20 
'''Duration''': c. 
'''Difficulty''': (see [[Ratings]] for explanation) 
'''Publisher''': [[Title Publisher]] 
'''Cost''': Score and Parts - $0.00   |   Score Only - $0.00 

==Movements==



== Instrumentation ==



== Program Notes ==

=== Review ===

== Errata ==



== Awards ==


== Commercial Discography==

===Online Recordings===







==Recent Performances==

{{performances}}



== Works for Percussion by this Composer ==
{{Lastname, Firstname Works}} 



== Additional Resources ==



 
 

== References ==
<references/>


 
 

[[Category:Template]]