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	<id>https://tekpercussion.com//index.php?action=history&amp;feed=atom&amp;title=Ag%C3%B3cs%2C_Kati</id>
	<title>Agócs, Kati - Revision history</title>
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	<updated>2026-04-27T11:05:08Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://tekpercussion.com//index.php?title=Ag%C3%B3cs,_Kati&amp;diff=53867&amp;oldid=prev</id>
		<title>Bálint Bakfark: Updated biographical information for 2025</title>
		<link rel="alternate" type="text/html" href="https://tekpercussion.com//index.php?title=Ag%C3%B3cs,_Kati&amp;diff=53867&amp;oldid=prev"/>
		<updated>2025-04-17T14:37:59Z</updated>

		<summary type="html">&lt;p&gt;Updated biographical information for 2025&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 10:37, 17 April 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l33&quot;&gt;Line 33:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 33:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Agócs was awarded a [[Guggenheim Fellowship]] in 2013.&amp;lt;ref&amp;gt;http://www.gf.org/fellows/17348-kati-agocs | title=Kati Agócs | accessdate=22 March 2015&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;2013 Guggenheim Fellowship in Music Composition awarded to Kati Agócs  |date=15 April 2013  |publisher=[[Canadian Music Centre]]&amp;lt;/ref&amp;gt; In 2014 the [[American Academy of Arts and Letters]] named her as recipient of the Arts and Letters Award in Music.&amp;lt;ref&amp;gt;http://www.artsandletters.org/press_releases/2014music.php|title=Music awards press release|publisher=[[American Academy of Arts and Letters]]|date=March 5, 2014|accessdate=March 26, 2014|archive-url=https://web.archive.org/web/20140325193103/http://www.artsandletters.org/press_releases/2014music.php|archive-date=March 25, 2014|url-status=dead&amp;lt;/ref&amp;gt; She maintains a work studio in Flatrock, Newfoundland, Canada.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Agócs was awarded a [[Guggenheim Fellowship]] in 2013.&amp;lt;ref&amp;gt;http://www.gf.org/fellows/17348-kati-agocs | title=Kati Agócs | accessdate=22 March 2015&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;2013 Guggenheim Fellowship in Music Composition awarded to Kati Agócs  |date=15 April 2013  |publisher=[[Canadian Music Centre]]&amp;lt;/ref&amp;gt; In 2014 the [[American Academy of Arts and Letters]] named her as recipient of the Arts and Letters Award in Music.&amp;lt;ref&amp;gt;http://www.artsandletters.org/press_releases/2014music.php|title=Music awards press release|publisher=[[American Academy of Arts and Letters]]|date=March 5, 2014|accessdate=March 26, 2014|archive-url=https://web.archive.org/web/20140325193103/http://www.artsandletters.org/press_releases/2014music.php|archive-date=March 25, 2014|url-status=dead&amp;lt;/ref&amp;gt; She maintains a work studio in Flatrock, Newfoundland, Canada.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Agócs &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;is married to the American composer [[Robert Beaser]]&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Agócs &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;has one daughter, Olivia&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Boston Modern Orchestra Project]] recorded and released the 2016 album &amp;#039;&amp;#039;The Debrecen Passion&amp;#039;&amp;#039;,&amp;lt;ref&amp;gt;{{Rosenberg |first1=Donald |title=AGÓCS The Debrecen Passion |url=https://www.gramophone.co.uk/review/agócs-the-debrecen-passion |website=www.gramophone.co.uk |language=en |date=5 October 2017&amp;lt;/ref&amp;gt; named one of the top 10 Classical albums of 2016 by the &amp;#039;&amp;#039;[[Boston Globe]]&amp;#039;&amp;#039;.&amp;lt;ref&amp;gt;https://www.bostonglobe.com/arts/music/2016/12/22/top-classical-albums/Rez6Oe3mNajrKx1ycHKaQM/story.html  | title=Top 10 classical albums  |date= 2016 |publisher=[[Boston Globe]] |accessdate=23 December 2016&amp;lt;/ref&amp;gt; The title track of this album was nominated in 2017 by the [[Canadian Academy of Recording Arts and Sciences]] for a Juno Award, &amp;quot;Classical Composition of the Year.&amp;lt;ref&amp;gt;{{http://www.bmop.org/explore-bmop/musicians/kati-ag%C3%B3cs  | title=Boston Modern Orchestra Project  |date= 2010 |publisher=[[Boston Modern Orchestra Project]] |accessdate=11 April 2015&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;http://junoawards.ca/nominees/  | title=2017 Juno Nominees  |date= 2017 |publisher=[[Juno Award]] |accessdate=7 February 2017&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Boston Modern Orchestra Project]] recorded and released the 2016 album &amp;#039;&amp;#039;The Debrecen Passion&amp;#039;&amp;#039;,&amp;lt;ref&amp;gt;{{Rosenberg |first1=Donald |title=AGÓCS The Debrecen Passion |url=https://www.gramophone.co.uk/review/agócs-the-debrecen-passion |website=www.gramophone.co.uk |language=en |date=5 October 2017&amp;lt;/ref&amp;gt; named one of the top 10 Classical albums of 2016 by the &amp;#039;&amp;#039;[[Boston Globe]]&amp;#039;&amp;#039;.&amp;lt;ref&amp;gt;https://www.bostonglobe.com/arts/music/2016/12/22/top-classical-albums/Rez6Oe3mNajrKx1ycHKaQM/story.html  | title=Top 10 classical albums  |date= 2016 |publisher=[[Boston Globe]] |accessdate=23 December 2016&amp;lt;/ref&amp;gt; The title track of this album was nominated in 2017 by the [[Canadian Academy of Recording Arts and Sciences]] for a Juno Award, &amp;quot;Classical Composition of the Year.&amp;lt;ref&amp;gt;{{http://www.bmop.org/explore-bmop/musicians/kati-ag%C3%B3cs  | title=Boston Modern Orchestra Project  |date= 2010 |publisher=[[Boston Modern Orchestra Project]] |accessdate=11 April 2015&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;http://junoawards.ca/nominees/  | title=2017 Juno Nominees  |date= 2017 |publisher=[[Juno Award]] |accessdate=7 February 2017&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Bálint Bakfark</name></author>
	</entry>
	<entry>
		<id>https://tekpercussion.com//index.php?title=Ag%C3%B3cs,_Kati&amp;diff=45521&amp;oldid=prev</id>
		<title>Admin at 18:10, 6 June 2023</title>
		<link rel="alternate" type="text/html" href="https://tekpercussion.com//index.php?title=Ag%C3%B3cs,_Kati&amp;diff=45521&amp;oldid=prev"/>
		<updated>2023-06-06T18:10:15Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:10, 6 June 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l15&quot;&gt;Line 15:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 15:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;--------------------------------------------&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;--------------------------------------------&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Hailed as “a composer of imposing artistic gifts” (Gramophone Magazine) and “one of the brightest stars in her generation of composers” (Audiophile Audition), Kati Agócs (KAH-tee AH-goach) writes “sublime music of fluidity and austere beauty” (The Boston Globe), that is “simmering, and lucid…demands to be heard” (The New York Times). A recent Guggenheim Fellow, she is also a winner of the prestigious Arts and Letters Award, the lifetime achievement award in music composition from The American Academy of Arts and Letters, and a two-time nominee for Classical Composition of the Year in the Juno Awards, the Canadian Grammy Awards.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Recent premieres include Transluminescence  — Concerto for Piano and Orchestra, commissioned by the Esther Honens International Piano Competition for Nicolas Namoradze, a Horn Concerto for James Sommerville co-commissioned by a consortium of five orchestras in the U.S and Canada, and the cantata Voices of the Immaculate for Lucy Dhegrae and Third Sound Ensemble. As part of its Composer Portraits series, Miller Theatre in New York presented a Kati Agócs portrait concert featuring the world premiere of Voices of the Immaculate, co-commissioned by Miller Theatre at Columbia University, Chamber Music America, New Music USA, and the Philadelphia Chamber Music Society. In The New York Times, Zachary Woolfe wrote: “For once, singing of complete and utter clarity…a simmering new cantata, conceived with transparency as a first principle…entirely, word for word, lucid…her text demands to be heard, and is.” &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Other recent works include Morning Star, a motet commissioned by Boston’s Emmanuel Music in celebration of their Fiftieth Anniversary; Imprimatur (String Quartet #2), commissioned by the Harvard Musical Association, Krannert Center/University of Illinois, and the Aspen Music Festival and School to open the Aspen Music Festival; Concerto for Violin and Percussion Orchestra, commissioned by the Fromm Music Foundation at Harvard University for the New England Conservatory Percussion Ensemble; and The Debrecen Passion, a work for chorus and orchestra with texts by Szilárd Borbély, commissioned by The Jebediah Foundation for Lorelei Ensemble and Boston Modern Orchestra Project. The Boston Globe named her album The Debrecen Passion one of its Top Ten Classical Albums of 2016. Gramophone Magazine praised its “penetrating individuality”, calling the title track “an iridescent wonder.”&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Her music has been commissioned and performed by many other premier ensembles and organizations including the Boston Symphony Chamber Players, Vancouver Symphony Orchestra, Minnesota Orchestra, Toronto Symphony Orchestra, Ensemble Reconsil Vienna, Lontano, Albany Symphony Orchestra, National Youth Orchestra of Canada, Claremont Trio, Hub New Music, Jupiter String Quartet, Continuum, Da Capo Chamber Players, Ensemble Contemporain de Montreal, New Juilliard Ensemble, and the multiple Grammy-award winning ensemble Eighth Blackbird, who toured the U.S. with Immutable Dreams. Residencies include the Charles Ives Music Festival, Chelsea Music Festival, Great Lakes Chamber Music Festival, Oberlin University, National Youth Orchestra of Canada (as Composer-in-Residence for their Fiftieth Anniversary) and a curatorial residency with Metropolis Ensemble in the Bowery on New York’s Lower East Side.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Awards and honours include the Guggenheim Fellowship; the Arts and Letters Award, Charles Ives Fellowship and Charles Ives Scholarship from the American Academy of Arts and Letters; a recording grant from the Aaron Copland Fund for Music; Composer fellowships from the Massachusetts Arts Council and the New York Foundation for the Arts; The Boston Foundation’s inaugural Brother Thomas Fellowship; the ASCAP Leonard Bernstein Fellowship at the Tanglewood Music Center; a Fulbright Fellowship to the Liszt Academy in Budapest; a Jacob K. Javits Fellowship from the U.S. Department of Education; residencies at the MacDowell Colony and Yaddo; and commissioning grants from the Canada Council for the Arts.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Born in 1975 in Canada of Hungarian and American parents, Kati Agócs earned doctoral and Masters degrees from the Juilliard School, studying with Milton Babbitt, and was a voice student of Adele Addison. She is an alumna of the Aspen Music School, Tanglewood Music Festival, Sarah Lawrence College, and Lester B. Pearson College of the Pacific (United World Colleges), where she represented the province of Ontario. She has served on the composition faculty at the New England Conservatory in Boston since 2008, and maintains a work studio in Flatrock, Newfoundland. Kati Agócs is a citizen of the United States, Canada, and Hungary (European Union). Her works are published by Kati Agócs Music and distributed internationally by Theodore Front Musical Literature. &amp;lt;ref&gt;https://www.katiagocs.com/kati-agocs-biography Press Bio&amp;lt;/ref&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;______________&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From 2005 to 2006, she lived in [[Budapest]] and wrote on the new-music scene in [[Hungary]] for the journal &amp;#039;&amp;#039;[[The Musical Times]]&amp;#039;&amp;#039;.&amp;lt;ref&amp;gt;The mechanics of culture: new music in Hungary since 1990 |journal=[[The Musical Times]]  |volume= 1896|issue=246 |pages=5–18 |doi=  10.2307/25434400|jstor=25434400 |year=2006&amp;lt;/ref&amp;gt; She had previously organized an exchange program between the [[Juilliard School]] and the [[Liszt Academy]].&amp;lt;ref&amp;gt;&amp;#039;&amp;#039;Juilliard Journal&amp;#039;&amp;#039;, October 2005, Raymond J. Lustig,  &amp;quot;Twin Concerts Foster a New York-Budapest Exchange of New Music&amp;quot;&amp;lt;/ref&amp;gt; The Hungarian-language weekly, &amp;#039;&amp;#039;Bécsi Napló&amp;#039;&amp;#039; (Vienna Journal) acknowledged her contribution to the visibility of Hungarian composers abroad.&amp;lt;ref&amp;gt;Hungarian Music Week in New York |url=http://www.becsinaplo.eu/impresszum.htm   |journal=Bécsi Napló |date=March–April 2007  |publisher=Zentralverband |volume=1  |issue=1|access-date=April 11, 2015&amp;lt;/ref&amp;gt; She served as Composer in Residence for the [[National Youth Orchestra of Canada]] in 2010.&amp;lt;ref&amp;gt;http://www.hungarianpresence.ca/Culture/Music/kati-agocs-219.cfm  | title=Kati Agócs and Winnipeg&amp;#039;s New Music Festival  |date= 7 February 2011  |author=Kevin Burns |publisher=Hungarian Presence in Canada  |accessdate=11 April 2015&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From 2005 to 2006, she lived in [[Budapest]] and wrote on the new-music scene in [[Hungary]] for the journal &amp;#039;&amp;#039;[[The Musical Times]]&amp;#039;&amp;#039;.&amp;lt;ref&amp;gt;The mechanics of culture: new music in Hungary since 1990 |journal=[[The Musical Times]]  |volume= 1896|issue=246 |pages=5–18 |doi=  10.2307/25434400|jstor=25434400 |year=2006&amp;lt;/ref&amp;gt; She had previously organized an exchange program between the [[Juilliard School]] and the [[Liszt Academy]].&amp;lt;ref&amp;gt;&amp;#039;&amp;#039;Juilliard Journal&amp;#039;&amp;#039;, October 2005, Raymond J. Lustig,  &amp;quot;Twin Concerts Foster a New York-Budapest Exchange of New Music&amp;quot;&amp;lt;/ref&amp;gt; The Hungarian-language weekly, &amp;#039;&amp;#039;Bécsi Napló&amp;#039;&amp;#039; (Vienna Journal) acknowledged her contribution to the visibility of Hungarian composers abroad.&amp;lt;ref&amp;gt;Hungarian Music Week in New York |url=http://www.becsinaplo.eu/impresszum.htm   |journal=Bécsi Napló |date=March–April 2007  |publisher=Zentralverband |volume=1  |issue=1|access-date=April 11, 2015&amp;lt;/ref&amp;gt; She served as Composer in Residence for the [[National Youth Orchestra of Canada]] in 2010.&amp;lt;ref&amp;gt;http://www.hungarianpresence.ca/Culture/Music/kati-agocs-219.cfm  | title=Kati Agócs and Winnipeg&amp;#039;s New Music Festival  |date= 7 February 2011  |author=Kevin Burns |publisher=Hungarian Presence in Canada  |accessdate=11 April 2015&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>https://tekpercussion.com//index.php?title=Ag%C3%B3cs,_Kati&amp;diff=45520&amp;oldid=prev</id>
		<title>Admin at 18:08, 6 June 2023</title>
		<link rel="alternate" type="text/html" href="https://tekpercussion.com//index.php?title=Ag%C3%B3cs,_Kati&amp;diff=45520&amp;oldid=prev"/>
		<updated>2023-06-06T18:08:49Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:08, 6 June 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l51&quot;&gt;Line 51:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 51:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Canadian Composers]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Canadian Composers]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Female Composers]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Female Composers]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Percussion Ensemble]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Solo Percussion]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Percussion Sextet]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Percussion (6)]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Multiple Percussion]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Violin]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Concerto]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;!-- Don&amp;#039;t forget to add categories, literature, instruments, history, pedagogy, sticks, etc. Also delete the Template category. To see what categories are available, see:  http://www.tekpercussion.com/Special:Categories  --&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;!-- Don&amp;#039;t forget to add categories, literature, instruments, history, pedagogy, sticks, etc. Also delete the Template category. To see what categories are available, see:  http://www.tekpercussion.com/Special:Categories  --&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>https://tekpercussion.com//index.php?title=Ag%C3%B3cs,_Kati&amp;diff=45506&amp;oldid=prev</id>
		<title>Admin at 17:44, 6 June 2023</title>
		<link rel="alternate" type="text/html" href="https://tekpercussion.com//index.php?title=Ag%C3%B3cs,_Kati&amp;diff=45506&amp;oldid=prev"/>
		<updated>2023-06-06T17:44:24Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:44, 6 June 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l34&quot;&gt;Line 34:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 34:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Works for Percussion ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Works for Percussion ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Name &lt;/del&gt;Works}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Agocs, Kati &lt;/ins&gt;Works}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;!-- Create a template for the composers works and input a title under this section ie: {{Spencer, Julie Works}} --&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;!-- Create a template for the composers works and input a title under this section ie: {{Spencer, Julie Works}} --&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;!-- to edit the works list - Type in Search bar Template:Spencer, Julie Works  for example --&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;!-- to edit the works list - Type in Search bar Template:Spencer, Julie Works  for example --&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>https://tekpercussion.com//index.php?title=Ag%C3%B3cs,_Kati&amp;diff=45504&amp;oldid=prev</id>
		<title>Admin at 17:40, 6 June 2023</title>
		<link rel="alternate" type="text/html" href="https://tekpercussion.com//index.php?title=Ag%C3%B3cs,_Kati&amp;diff=45504&amp;oldid=prev"/>
		<updated>2023-06-06T17:40:45Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:40, 6 June 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;composername&lt;/del&gt;.jpg|right|thumb|250px|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Composer Name&lt;/del&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;KatiAgocs&lt;/ins&gt;.jpg|right|thumb|250px|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Kati Agocs&lt;/ins&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>https://tekpercussion.com//index.php?title=Ag%C3%B3cs,_Kati&amp;diff=45503&amp;oldid=prev</id>
		<title>Admin at 17:39, 6 June 2023</title>
		<link rel="alternate" type="text/html" href="https://tekpercussion.com//index.php?title=Ag%C3%B3cs,_Kati&amp;diff=45503&amp;oldid=prev"/>
		<updated>2023-06-06T17:39:31Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:39, 6 June 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l11&quot;&gt;Line 11:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 11:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Teachers: Milton Babbitt&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Teachers: Milton Babbitt&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Website: www.katiagocs.com&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Website: &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[https://&lt;/ins&gt;www.katiagocs.com&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;/ https://www.katiagocs.com/]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;--------------------------------------------&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;--------------------------------------------&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==Bio==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From 2005 to 2006, she lived in [[Budapest]] and wrote on the new-music scene in [[Hungary]] for the journal &amp;#039;&amp;#039;[[The Musical Times]]&amp;#039;&amp;#039;.&amp;lt;ref&amp;gt;The mechanics of culture: new music in Hungary since 1990 |journal=[[The Musical Times]]  |volume= 1896|issue=246 |pages=5–18 |doi=  10.2307/25434400|jstor=25434400 |year=2006&amp;lt;/ref&amp;gt; She had previously organized an exchange program between the [[Juilliard School]] and the [[Liszt Academy]].&amp;lt;ref&amp;gt;&amp;#039;&amp;#039;Juilliard Journal&amp;#039;&amp;#039;, October 2005, Raymond J. Lustig,  &amp;quot;Twin Concerts Foster a New York-Budapest Exchange of New Music&amp;quot;&amp;lt;/ref&amp;gt; The Hungarian-language weekly, &amp;#039;&amp;#039;Bécsi Napló&amp;#039;&amp;#039; (Vienna Journal) acknowledged her contribution to the visibility of Hungarian composers abroad.&amp;lt;ref&amp;gt;Hungarian Music Week in New York |url=http://www.becsinaplo.eu/impresszum.htm   |journal=Bécsi Napló |date=March–April 2007  |publisher=Zentralverband |volume=1  |issue=1|access-date=April 11, 2015&amp;lt;/ref&amp;gt; She served as Composer in Residence for the [[National Youth Orchestra of Canada]] in 2010.&amp;lt;ref&amp;gt;http://www.hungarianpresence.ca/Culture/Music/kati-agocs-219.cfm  | title=Kati Agócs and Winnipeg&amp;#039;s New Music Festival  |date= 7 February 2011  |author=Kevin Burns |publisher=Hungarian Presence in Canada  |accessdate=11 April 2015&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From 2005 to 2006, she lived in [[Budapest]] and wrote on the new-music scene in [[Hungary]] for the journal &amp;#039;&amp;#039;[[The Musical Times]]&amp;#039;&amp;#039;.&amp;lt;ref&amp;gt;The mechanics of culture: new music in Hungary since 1990 |journal=[[The Musical Times]]  |volume= 1896|issue=246 |pages=5–18 |doi=  10.2307/25434400|jstor=25434400 |year=2006&amp;lt;/ref&amp;gt; She had previously organized an exchange program between the [[Juilliard School]] and the [[Liszt Academy]].&amp;lt;ref&amp;gt;&amp;#039;&amp;#039;Juilliard Journal&amp;#039;&amp;#039;, October 2005, Raymond J. Lustig,  &amp;quot;Twin Concerts Foster a New York-Budapest Exchange of New Music&amp;quot;&amp;lt;/ref&amp;gt; The Hungarian-language weekly, &amp;#039;&amp;#039;Bécsi Napló&amp;#039;&amp;#039; (Vienna Journal) acknowledged her contribution to the visibility of Hungarian composers abroad.&amp;lt;ref&amp;gt;Hungarian Music Week in New York |url=http://www.becsinaplo.eu/impresszum.htm   |journal=Bécsi Napló |date=March–April 2007  |publisher=Zentralverband |volume=1  |issue=1|access-date=April 11, 2015&amp;lt;/ref&amp;gt; She served as Composer in Residence for the [[National Youth Orchestra of Canada]] in 2010.&amp;lt;ref&amp;gt;http://www.hungarianpresence.ca/Culture/Music/kati-agocs-219.cfm  | title=Kati Agócs and Winnipeg&amp;#039;s New Music Festival  |date= 7 February 2011  |author=Kevin Burns |publisher=Hungarian Presence in Canada  |accessdate=11 April 2015&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>https://tekpercussion.com//index.php?title=Ag%C3%B3cs,_Kati&amp;diff=45500&amp;oldid=prev</id>
		<title>Admin at 17:37, 6 June 2023</title>
		<link rel="alternate" type="text/html" href="https://tekpercussion.com//index.php?title=Ag%C3%B3cs,_Kati&amp;diff=45500&amp;oldid=prev"/>
		<updated>2023-06-06T17:37:48Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:37, 6 June 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l15&quot;&gt;Line 15:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 15:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;--------------------------------------------&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;--------------------------------------------&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Career&lt;/del&gt;==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bio&lt;/ins&gt;==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From 2005 to 2006, she lived in [[Budapest]] and wrote on the new-music scene in [[Hungary]] for the journal &amp;#039;&amp;#039;[[The Musical Times]]&amp;#039;&amp;#039;.&amp;lt;ref&amp;gt;The mechanics of culture: new music in Hungary since 1990 |journal=[[The Musical Times]]  |volume= 1896|issue=246 |pages=5–18 |doi=  10.2307/25434400|jstor=25434400 |year=2006&amp;lt;/ref&amp;gt; She had previously organized an exchange program between the [[Juilliard School]] and the [[Liszt Academy]].&amp;lt;ref&amp;gt;&amp;#039;&amp;#039;Juilliard Journal&amp;#039;&amp;#039;, October 2005, Raymond J. Lustig,  &amp;quot;Twin Concerts Foster a New York-Budapest Exchange of New Music&amp;quot;&amp;lt;/ref&amp;gt; The Hungarian-language weekly, &amp;#039;&amp;#039;Bécsi Napló&amp;#039;&amp;#039; (Vienna Journal) acknowledged her contribution to the visibility of Hungarian composers abroad.&amp;lt;ref&amp;gt;Hungarian Music Week in New York |url=http://www.becsinaplo.eu/impresszum.htm   |journal=Bécsi Napló |date=March–April 2007  |publisher=Zentralverband |volume=1  |issue=1|access-date=April 11, 2015&amp;lt;/ref&amp;gt; She served as Composer in Residence for the [[National Youth Orchestra of Canada]] in 2010.&amp;lt;ref&amp;gt;http://www.hungarianpresence.ca/Culture/Music/kati-agocs-219.cfm  | title=Kati Agócs and Winnipeg&amp;#039;s New Music Festival  |date= 7 February 2011  |author=Kevin Burns |publisher=Hungarian Presence in Canada  |accessdate=11 April 2015&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From 2005 to 2006, she lived in [[Budapest]] and wrote on the new-music scene in [[Hungary]] for the journal &amp;#039;&amp;#039;[[The Musical Times]]&amp;#039;&amp;#039;.&amp;lt;ref&amp;gt;The mechanics of culture: new music in Hungary since 1990 |journal=[[The Musical Times]]  |volume= 1896|issue=246 |pages=5–18 |doi=  10.2307/25434400|jstor=25434400 |year=2006&amp;lt;/ref&amp;gt; She had previously organized an exchange program between the [[Juilliard School]] and the [[Liszt Academy]].&amp;lt;ref&amp;gt;&amp;#039;&amp;#039;Juilliard Journal&amp;#039;&amp;#039;, October 2005, Raymond J. Lustig,  &amp;quot;Twin Concerts Foster a New York-Budapest Exchange of New Music&amp;quot;&amp;lt;/ref&amp;gt; The Hungarian-language weekly, &amp;#039;&amp;#039;Bécsi Napló&amp;#039;&amp;#039; (Vienna Journal) acknowledged her contribution to the visibility of Hungarian composers abroad.&amp;lt;ref&amp;gt;Hungarian Music Week in New York |url=http://www.becsinaplo.eu/impresszum.htm   |journal=Bécsi Napló |date=March–April 2007  |publisher=Zentralverband |volume=1  |issue=1|access-date=April 11, 2015&amp;lt;/ref&amp;gt; She served as Composer in Residence for the [[National Youth Orchestra of Canada]] in 2010.&amp;lt;ref&amp;gt;http://www.hungarianpresence.ca/Culture/Music/kati-agocs-219.cfm  | title=Kati Agócs and Winnipeg&amp;#039;s New Music Festival  |date= 7 February 2011  |author=Kevin Burns |publisher=Hungarian Presence in Canada  |accessdate=11 April 2015&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Agócs was awarded a [[Guggenheim Fellowship]] in 2013.&amp;lt;ref&amp;gt;http://www.gf.org/fellows/17348-kati-agocs | title=Kati Agócs | accessdate=22 March 2015&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;2013 Guggenheim Fellowship in Music Composition awarded to Kati Agócs  |date=15 April 2013  |publisher=[[Canadian Music Centre]]&amp;lt;/ref&amp;gt; In 2014 the [[American Academy of Arts and Letters]] named her as recipient of the Arts and Letters Award in Music.&amp;lt;ref&amp;gt;http://www.artsandletters.org/press_releases/2014music.php|title=Music awards press release|publisher=[[American Academy of Arts and Letters]]|date=March 5, 2014|accessdate=March 26, 2014|archive-url=https://web.archive.org/web/20140325193103/http://www.artsandletters.org/press_releases/2014music.php|archive-date=March 25, 2014|url-status=dead&amp;lt;/ref&amp;gt; She maintains a work studio in Flatrock, Newfoundland, Canada.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Agócs was awarded a [[Guggenheim Fellowship]] in 2013.&amp;lt;ref&amp;gt;http://www.gf.org/fellows/17348-kati-agocs | title=Kati Agócs | accessdate=22 March 2015&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;2013 Guggenheim Fellowship in Music Composition awarded to Kati Agócs  |date=15 April 2013  |publisher=[[Canadian Music Centre]]&amp;lt;/ref&amp;gt; In 2014 the [[American Academy of Arts and Letters]] named her as recipient of the Arts and Letters Award in Music.&amp;lt;ref&amp;gt;http://www.artsandletters.org/press_releases/2014music.php|title=Music awards press release|publisher=[[American Academy of Arts and Letters]]|date=March 5, 2014|accessdate=March 26, 2014|archive-url=https://web.archive.org/web/20140325193103/http://www.artsandletters.org/press_releases/2014music.php|archive-date=March 25, 2014|url-status=dead&amp;lt;/ref&amp;gt; She maintains a work studio in Flatrock, Newfoundland, Canada.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==Personal life==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Agócs is married to the American composer [[Robert Beaser]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Agócs is married to the American composer [[Robert Beaser]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==Music==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Boston Modern Orchestra Project]] recorded and released the 2016 album &amp;#039;&amp;#039;The Debrecen Passion&amp;#039;&amp;#039;,&amp;lt;ref&amp;gt;{{Rosenberg |first1=Donald |title=AGÓCS The Debrecen Passion |url=https://www.gramophone.co.uk/review/agócs-the-debrecen-passion |website=www.gramophone.co.uk |language=en |date=5 October 2017&amp;lt;/ref&amp;gt; named one of the top 10 Classical albums of 2016 by the &amp;#039;&amp;#039;[[Boston Globe]]&amp;#039;&amp;#039;.&amp;lt;ref&amp;gt;https://www.bostonglobe.com/arts/music/2016/12/22/top-classical-albums/Rez6Oe3mNajrKx1ycHKaQM/story.html  | title=Top 10 classical albums  |date= 2016 |publisher=[[Boston Globe]] |accessdate=23 December 2016&amp;lt;/ref&amp;gt; The title track of this album was nominated in 2017 by the [[Canadian Academy of Recording Arts and Sciences]] for a Juno Award, &amp;quot;Classical Composition of the Year.&amp;lt;ref&amp;gt;{{http://www.bmop.org/explore-bmop/musicians/kati-ag%C3%B3cs  | title=Boston Modern Orchestra Project  |date= 2010 |publisher=[[Boston Modern Orchestra Project]] |accessdate=11 April 2015&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;http://junoawards.ca/nominees/  | title=2017 Juno Nominees  |date= 2017 |publisher=[[Juno Award]] |accessdate=7 February 2017&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Boston Modern Orchestra Project]] recorded and released the 2016 album &amp;#039;&amp;#039;The Debrecen Passion&amp;#039;&amp;#039;,&amp;lt;ref&amp;gt;{{Rosenberg |first1=Donald |title=AGÓCS The Debrecen Passion |url=https://www.gramophone.co.uk/review/agócs-the-debrecen-passion |website=www.gramophone.co.uk |language=en |date=5 October 2017&amp;lt;/ref&amp;gt; named one of the top 10 Classical albums of 2016 by the &amp;#039;&amp;#039;[[Boston Globe]]&amp;#039;&amp;#039;.&amp;lt;ref&amp;gt;https://www.bostonglobe.com/arts/music/2016/12/22/top-classical-albums/Rez6Oe3mNajrKx1ycHKaQM/story.html  | title=Top 10 classical albums  |date= 2016 |publisher=[[Boston Globe]] |accessdate=23 December 2016&amp;lt;/ref&amp;gt; The title track of this album was nominated in 2017 by the [[Canadian Academy of Recording Arts and Sciences]] for a Juno Award, &amp;quot;Classical Composition of the Year.&amp;lt;ref&amp;gt;{{http://www.bmop.org/explore-bmop/musicians/kati-ag%C3%B3cs  | title=Boston Modern Orchestra Project  |date= 2010 |publisher=[[Boston Modern Orchestra Project]] |accessdate=11 April 2015&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;http://junoawards.ca/nominees/  | title=2017 Juno Nominees  |date= 2017 |publisher=[[Juno Award]] |accessdate=7 February 2017&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l51&quot;&gt;Line 51:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 49:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;!-- {{DEFAULTSORT: Lastname, Firstname}} --&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;!-- {{DEFAULTSORT: Lastname, Firstname}} --&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Composers]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Composers]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Canadian Composers]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Female Composers]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;!-- Don&amp;#039;t forget to add categories, literature, instruments, history, pedagogy, sticks, etc. Also delete the Template category. To see what categories are available, see:  http://www.tekpercussion.com/Special:Categories  --&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;!-- Don&amp;#039;t forget to add categories, literature, instruments, history, pedagogy, sticks, etc. Also delete the Template category. To see what categories are available, see:  http://www.tekpercussion.com/Special:Categories  --&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
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		<title>Admin: /* Music */</title>
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		<updated>2023-06-06T17:36:38Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Music&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:36, 6 June 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l24&quot;&gt;Line 24:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 24:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Music==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Music==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Boston Modern Orchestra Project]] recorded and released the 2016 album &amp;#039;&amp;#039;The Debrecen Passion&amp;#039;&amp;#039;,&amp;lt;ref&amp;gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;cite web |last1=&lt;/del&gt;Rosenberg |first1=Donald |title=AGÓCS The Debrecen Passion |url=https://www.gramophone.co.uk/review/agócs-the-debrecen-passion |website=www.gramophone.co.uk |language=en |date=5 October 2017&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/del&gt;&amp;lt;/ref&amp;gt; named one of the top 10 Classical albums of 2016 by the &amp;#039;&amp;#039;[[Boston Globe]]&amp;#039;&amp;#039;.&amp;lt;ref&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{cite web |url=&lt;/del&gt;https://www.bostonglobe.com/arts/music/2016/12/22/top-classical-albums/Rez6Oe3mNajrKx1ycHKaQM/story.html  | title=Top 10 classical albums  |date= 2016 |publisher=[[Boston Globe]] |accessdate=23 December 2016&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/del&gt;&amp;lt;/ref&amp;gt; The title track of this album was nominated in 2017 by the [[Canadian Academy of Recording Arts and Sciences]] for a Juno Award, &amp;quot;Classical Composition of the Year.&amp;lt;ref&amp;gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;cite web |url=&lt;/del&gt;http://www.bmop.org/explore-bmop/musicians/kati-ag%C3%B3cs  | title=Boston Modern Orchestra Project  |date= 2010 |publisher=[[Boston Modern Orchestra Project]] |accessdate=11 April 2015&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/del&gt;&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{cite web |url=&lt;/del&gt;http://junoawards.ca/nominees/  | title=2017 Juno Nominees  |date= 2017 |publisher=[[Juno Award]] |accessdate=7 February 2017&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/del&gt;&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Boston Modern Orchestra Project]] recorded and released the 2016 album &amp;#039;&amp;#039;The Debrecen Passion&amp;#039;&amp;#039;,&amp;lt;ref&amp;gt;{{Rosenberg |first1=Donald |title=AGÓCS The Debrecen Passion |url=https://www.gramophone.co.uk/review/agócs-the-debrecen-passion |website=www.gramophone.co.uk |language=en |date=5 October 2017&amp;lt;/ref&amp;gt; named one of the top 10 Classical albums of 2016 by the &amp;#039;&amp;#039;[[Boston Globe]]&amp;#039;&amp;#039;.&amp;lt;ref&amp;gt;https://www.bostonglobe.com/arts/music/2016/12/22/top-classical-albums/Rez6Oe3mNajrKx1ycHKaQM/story.html  | title=Top 10 classical albums  |date= 2016 |publisher=[[Boston Globe]] |accessdate=23 December 2016&amp;lt;/ref&amp;gt; The title track of this album was nominated in 2017 by the [[Canadian Academy of Recording Arts and Sciences]] for a Juno Award, &amp;quot;Classical Composition of the Year.&amp;lt;ref&amp;gt;{{http://www.bmop.org/explore-bmop/musicians/kati-ag%C3%B3cs  | title=Boston Modern Orchestra Project  |date= 2010 |publisher=[[Boston Modern Orchestra Project]] |accessdate=11 April 2015&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;http://junoawards.ca/nominees/  | title=2017 Juno Nominees  |date= 2017 |publisher=[[Juno Award]] |accessdate=7 February 2017&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Agócs has written on American music for the journal &amp;#039;&amp;#039;Tempo&amp;#039;&amp;#039;&amp;lt;ref&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Cite journal|&lt;/del&gt;last=Agócs|first=Kati|title=Two recent concertos by George Tsontakis|url=https://www.cambridge.org/core/journals/tempo/article/abs/two-recent-concertos-by-george-tsontakis/7428DB430D769B122FF48E90EF1F9288#|journal=Tempo|volume=62|date=2008-10-02|issue=246 |pages=11–21 |doi=10.1017/S0040298208000247 |s2cid=145205416 |access-date=2021-10-22&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/del&gt;&amp;lt;/ref&amp;gt; and also created a critical edition of the &amp;#039;&amp;#039;Symphony in A Major&amp;#039;&amp;#039; by [[Leopold Damrosch]].&amp;lt;ref&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{cite book |&lt;/del&gt;last=Agócs  |first=Kati |title=Recent Researches in American Music |url=https://openlibrary.org/works/OL8632927W/Symphony_in_A_Major_(Recent_Researches_in_American_Music) |publisher= A-R Editions |isbn=9780895795823 |accessdate=11 April 2015 |year=2005 &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/del&gt;&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Agócs has written on American music for the journal &amp;#039;&amp;#039;Tempo&amp;#039;&amp;#039;&amp;lt;ref&amp;gt;last=Agócs|first=Kati|title=Two recent concertos by George Tsontakis|url=https://www.cambridge.org/core/journals/tempo/article/abs/two-recent-concertos-by-george-tsontakis/7428DB430D769B122FF48E90EF1F9288#|journal=Tempo|volume=62|date=2008-10-02|issue=246 |pages=11–21 |doi=10.1017/S0040298208000247 |s2cid=145205416 |access-date=2021-10-22&amp;lt;/ref&amp;gt; and also created a critical edition of the &amp;#039;&amp;#039;Symphony in A Major&amp;#039;&amp;#039; by [[Leopold Damrosch]].&amp;lt;ref&amp;gt;last=Agócs  |first=Kati |title=Recent Researches in American Music |url=https://openlibrary.org/works/OL8632927W/Symphony_in_A_Major_(Recent_Researches_in_American_Music) |publisher= A-R Editions |isbn=9780895795823 |accessdate=11 April 2015 |year=2005&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
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		<title>Admin: /* Career */</title>
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		<updated>2023-06-06T17:34:51Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Career&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:34, 6 June 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l16&quot;&gt;Line 16:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 16:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;--------------------------------------------&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;--------------------------------------------&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Career==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Career==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From 2005 to 2006, she lived in [[Budapest]] and wrote on the new-music scene in [[Hungary]] for the journal &amp;#039;&amp;#039;[[The Musical Times]]&amp;#039;&amp;#039;.&amp;lt;ref&amp;gt;The mechanics of culture: new music in Hungary since 1990 |journal=[[The Musical Times]]  |volume= 1896|issue=246 |pages=5–18 |doi=  10.2307/25434400|jstor=25434400 |year=2006&amp;lt;/ref&amp;gt; She had previously organized an exchange program between the [[Juilliard School]] and the [[Liszt Academy]].&amp;lt;ref&amp;gt;&amp;#039;&amp;#039;Juilliard Journal&amp;#039;&amp;#039;, October 2005, Raymond J. Lustig,  &amp;quot;Twin Concerts Foster a New York-Budapest Exchange of New Music&amp;quot;&amp;lt;/ref&amp;gt; The Hungarian-language weekly, &amp;#039;&amp;#039;Bécsi Napló&amp;#039;&amp;#039; (Vienna Journal) acknowledged her contribution to the visibility of Hungarian composers abroad.&amp;lt;ref&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{cite journal |title=&lt;/del&gt;Hungarian Music Week in New York |url=http://www.becsinaplo.eu/impresszum.htm   |journal=Bécsi Napló |date=March–April 2007  |publisher=Zentralverband |volume=1  |issue=1|access-date=April 11, 2015&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/del&gt;&amp;lt;/ref&amp;gt; She served as Composer in Residence for the [[National Youth Orchestra of Canada]] in 2010.&amp;lt;ref&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{cite web |url=&lt;/del&gt;http://www.hungarianpresence.ca/Culture/Music/kati-agocs-219.cfm  | title=Kati Agócs and Winnipeg&amp;#039;s New Music Festival  |date= 7 February 2011  |author=Kevin Burns |publisher=Hungarian Presence in Canada  |accessdate=11 April 2015&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/del&gt;&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From 2005 to 2006, she lived in [[Budapest]] and wrote on the new-music scene in [[Hungary]] for the journal &amp;#039;&amp;#039;[[The Musical Times]]&amp;#039;&amp;#039;.&amp;lt;ref&amp;gt;The mechanics of culture: new music in Hungary since 1990 |journal=[[The Musical Times]]  |volume= 1896|issue=246 |pages=5–18 |doi=  10.2307/25434400|jstor=25434400 |year=2006&amp;lt;/ref&amp;gt; She had previously organized an exchange program between the [[Juilliard School]] and the [[Liszt Academy]].&amp;lt;ref&amp;gt;&amp;#039;&amp;#039;Juilliard Journal&amp;#039;&amp;#039;, October 2005, Raymond J. Lustig,  &amp;quot;Twin Concerts Foster a New York-Budapest Exchange of New Music&amp;quot;&amp;lt;/ref&amp;gt; The Hungarian-language weekly, &amp;#039;&amp;#039;Bécsi Napló&amp;#039;&amp;#039; (Vienna Journal) acknowledged her contribution to the visibility of Hungarian composers abroad.&amp;lt;ref&amp;gt;Hungarian Music Week in New York |url=http://www.becsinaplo.eu/impresszum.htm   |journal=Bécsi Napló |date=March–April 2007  |publisher=Zentralverband |volume=1  |issue=1|access-date=April 11, 2015&amp;lt;/ref&amp;gt; She served as Composer in Residence for the [[National Youth Orchestra of Canada]] in 2010.&amp;lt;ref&amp;gt;http://www.hungarianpresence.ca/Culture/Music/kati-agocs-219.cfm  | title=Kati Agócs and Winnipeg&amp;#039;s New Music Festival  |date= 7 February 2011  |author=Kevin Burns |publisher=Hungarian Presence in Canada  |accessdate=11 April 2015&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Agócs was awarded a [[Guggenheim Fellowship]] in 2013.&amp;lt;ref&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{cite web | url=&lt;/del&gt;http://www.gf.org/fellows/17348-kati-agocs | title=Kati Agócs | accessdate=22 March 2015&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/del&gt;&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{cite news | title=&lt;/del&gt;2013 Guggenheim Fellowship in Music Composition awarded to Kati Agócs  |date=15 April 2013  |publisher=[[Canadian Music Centre]]&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/del&gt;&amp;lt;/ref&amp;gt; In 2014 the [[American Academy of Arts and Letters]] named her as recipient of the Arts and Letters Award in Music.&amp;lt;ref&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{cite web|url=&lt;/del&gt;http://www.artsandletters.org/press_releases/2014music.php|title=Music awards press release|publisher=[[American Academy of Arts and Letters]]|date=March 5, 2014|accessdate=March 26, 2014|archive-url=https://web.archive.org/web/20140325193103/http://www.artsandletters.org/press_releases/2014music.php|archive-date=March 25, 2014|url-status=dead&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/del&gt;&amp;lt;/ref&amp;gt; She maintains a work studio in Flatrock, Newfoundland, Canada.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Agócs was awarded a [[Guggenheim Fellowship]] in 2013.&amp;lt;ref&amp;gt;http://www.gf.org/fellows/17348-kati-agocs | title=Kati Agócs | accessdate=22 March 2015&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;2013 Guggenheim Fellowship in Music Composition awarded to Kati Agócs  |date=15 April 2013  |publisher=[[Canadian Music Centre]]&amp;lt;/ref&amp;gt; In 2014 the [[American Academy of Arts and Letters]] named her as recipient of the Arts and Letters Award in Music.&amp;lt;ref&amp;gt;http://www.artsandletters.org/press_releases/2014music.php|title=Music awards press release|publisher=[[American Academy of Arts and Letters]]|date=March 5, 2014|accessdate=March 26, 2014|archive-url=https://web.archive.org/web/20140325193103/http://www.artsandletters.org/press_releases/2014music.php|archive-date=March 25, 2014|url-status=dead&amp;lt;/ref&amp;gt; She maintains a work studio in Flatrock, Newfoundland, Canada.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Personal life==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Personal life==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>https://tekpercussion.com//index.php?title=Ag%C3%B3cs,_Kati&amp;diff=45497&amp;oldid=prev</id>
		<title>Admin at 17:32, 6 June 2023</title>
		<link rel="alternate" type="text/html" href="https://tekpercussion.com//index.php?title=Ag%C3%B3cs,_Kati&amp;diff=45497&amp;oldid=prev"/>
		<updated>2023-06-06T17:32:48Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:32, 6 June 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l16&quot;&gt;Line 16:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 16:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;--------------------------------------------&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;--------------------------------------------&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Career==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Career==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From 2005 to 2006, she lived in [[Budapest]] and wrote on the new-music scene in [[Hungary]] for the journal &amp;#039;&amp;#039;[[The Musical Times]]&amp;#039;&amp;#039;.&amp;lt;ref&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{&lt;/del&gt;The mechanics of culture: new music in Hungary since 1990 |journal=[[The Musical Times]]  |volume= 1896|issue=246 |pages=5–18 |doi=  10.2307/25434400|jstor=25434400 |year=2006 &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/del&gt;&amp;lt;/ref&amp;gt; She had previously organized an exchange program between the [[Juilliard School]] and the [[Liszt Academy]].&amp;lt;ref&amp;gt;&amp;#039;&amp;#039;Juilliard Journal&amp;#039;&amp;#039;, October 2005, Raymond J. Lustig,  &amp;quot;Twin Concerts Foster a New York-Budapest Exchange of New Music&amp;quot;&amp;lt;/ref&amp;gt; The Hungarian-language weekly, &amp;#039;&amp;#039;Bécsi Napló&amp;#039;&amp;#039; (Vienna Journal) acknowledged her contribution to the visibility of Hungarian composers abroad.&amp;lt;ref&amp;gt;{{cite journal |title=Hungarian Music Week in New York |url=http://www.becsinaplo.eu/impresszum.htm   |journal=Bécsi Napló |date=March–April 2007  |publisher=Zentralverband |volume=1  |issue=1|access-date=April 11, 2015}}&amp;lt;/ref&amp;gt; She served as Composer in Residence for the [[National Youth Orchestra of Canada]] in 2010.&amp;lt;ref&amp;gt;{{cite web |url=http://www.hungarianpresence.ca/Culture/Music/kati-agocs-219.cfm  | title=Kati Agócs and Winnipeg&amp;#039;s New Music Festival  |date= 7 February 2011  |author=Kevin Burns |publisher=Hungarian Presence in Canada  |accessdate=11 April 2015}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From 2005 to 2006, she lived in [[Budapest]] and wrote on the new-music scene in [[Hungary]] for the journal &amp;#039;&amp;#039;[[The Musical Times]]&amp;#039;&amp;#039;.&amp;lt;ref&amp;gt;The mechanics of culture: new music in Hungary since 1990 |journal=[[The Musical Times]]  |volume= 1896|issue=246 |pages=5–18 |doi=  10.2307/25434400|jstor=25434400 |year=2006&amp;lt;/ref&amp;gt; She had previously organized an exchange program between the [[Juilliard School]] and the [[Liszt Academy]].&amp;lt;ref&amp;gt;&amp;#039;&amp;#039;Juilliard Journal&amp;#039;&amp;#039;, October 2005, Raymond J. Lustig,  &amp;quot;Twin Concerts Foster a New York-Budapest Exchange of New Music&amp;quot;&amp;lt;/ref&amp;gt; The Hungarian-language weekly, &amp;#039;&amp;#039;Bécsi Napló&amp;#039;&amp;#039; (Vienna Journal) acknowledged her contribution to the visibility of Hungarian composers abroad.&amp;lt;ref&amp;gt;{{cite journal |title=Hungarian Music Week in New York |url=http://www.becsinaplo.eu/impresszum.htm   |journal=Bécsi Napló |date=March–April 2007  |publisher=Zentralverband |volume=1  |issue=1|access-date=April 11, 2015}}&amp;lt;/ref&amp;gt; She served as Composer in Residence for the [[National Youth Orchestra of Canada]] in 2010.&amp;lt;ref&amp;gt;{{cite web |url=http://www.hungarianpresence.ca/Culture/Music/kati-agocs-219.cfm  | title=Kati Agócs and Winnipeg&amp;#039;s New Music Festival  |date= 7 February 2011  |author=Kevin Burns |publisher=Hungarian Presence in Canada  |accessdate=11 April 2015}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Agócs was awarded a [[Guggenheim Fellowship]] in 2013.&amp;lt;ref&amp;gt;{{cite web | url=http://www.gf.org/fellows/17348-kati-agocs | title=Kati Agócs | accessdate=22 March 2015}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite news | title=2013 Guggenheim Fellowship in Music Composition awarded to Kati Agócs  |date=15 April 2013  |publisher=[[Canadian Music Centre]]}}&amp;lt;/ref&amp;gt; In 2014 the [[American Academy of Arts and Letters]] named her as recipient of the Arts and Letters Award in Music.&amp;lt;ref&amp;gt;{{cite web|url=http://www.artsandletters.org/press_releases/2014music.php|title=Music awards press release|publisher=[[American Academy of Arts and Letters]]|date=March 5, 2014|accessdate=March 26, 2014|archive-url=https://web.archive.org/web/20140325193103/http://www.artsandletters.org/press_releases/2014music.php|archive-date=March 25, 2014|url-status=dead}}&amp;lt;/ref&amp;gt; She maintains a work studio in Flatrock, Newfoundland, Canada.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Agócs was awarded a [[Guggenheim Fellowship]] in 2013.&amp;lt;ref&amp;gt;{{cite web | url=http://www.gf.org/fellows/17348-kati-agocs | title=Kati Agócs | accessdate=22 March 2015}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite news | title=2013 Guggenheim Fellowship in Music Composition awarded to Kati Agócs  |date=15 April 2013  |publisher=[[Canadian Music Centre]]}}&amp;lt;/ref&amp;gt; In 2014 the [[American Academy of Arts and Letters]] named her as recipient of the Arts and Letters Award in Music.&amp;lt;ref&amp;gt;{{cite web|url=http://www.artsandletters.org/press_releases/2014music.php|title=Music awards press release|publisher=[[American Academy of Arts and Letters]]|date=March 5, 2014|accessdate=March 26, 2014|archive-url=https://web.archive.org/web/20140325193103/http://www.artsandletters.org/press_releases/2014music.php|archive-date=March 25, 2014|url-status=dead}}&amp;lt;/ref&amp;gt; She maintains a work studio in Flatrock, Newfoundland, Canada.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
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